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STARDUST MELODIES

THE BIOGRAPHY OF TWELVE OF AMERICA’S MOST POPULAR SONGS

A knowledgeable treasure trove for popular-music buffs.

Music historian Friedwald (Sinatra! The Song Is You, 1995, etc.) takes a detailed look at a dozen of America’s best-loved pop standards.

Displaying an encyclopedic knowledge of the history of jazz and popular music, Friedwald profiles longtime favorites “Star Dust,” “St. Louis Blues,” “My Funny Valentine,” “Mack the Knife,” “Ol’ Man River,” “Body and Soul,” “I Got Rhythm,” “As Time Goes By,” “Night and Day,” “Stormy Weather,” “Summertime,” and “Lush Life.” These “biographies” brim with life and welcome information. Mixing backstage arcana with broader strokes of cultural history, they reveal both the intricacies of creation—authorship, arrangement, performance, recording—as well as each title’s larger cultural significance. Along the way, Friedwald provides insights into the lives of a veritable Who’s Who of American composers and musicians: Hoagy Carmichael, Oscar Hammerstein, Ethel Waters, Nat King Cole, Benny Goodman, Frank Sinatra, Bing Crosby, Billie Holiday, Louis Armstrong; virtually every singer, lyricist, producer, and bandleader active in American music during the first half of the 20th century makes an appearance here. The author has tracked down most recorded examples of these songs, which were written between 1914 and 1938 but have been performed ever since, and in a short addendum to each chapter entitled “Bonus Tracks” offers knowledgeable evaluations. He also delineates how many of them found their way to Broadway and Hollywood as featured tunes in popular musicals and movies, offering convincing support for his premise that popular songs are almost living characters in American culture. To the author’s credit, his text eschews the kind of gossip that characterizes much other writing about pop music, although some of the more businesslike passages about key changes, chording, and arranging are so technical they may actually make readers wish for “a glimpse of stocking.” He describes the songs and performances with such infectious enthusiasm, however, that this is bound to inspire some trips to the record store.

A knowledgeable treasure trove for popular-music buffs.

Pub Date: April 29, 2002

ISBN: 0-375-42089-4

Page Count: 416

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2002

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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