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ACRES OF PERHAPS

Evocative tales of alternate realities steeped in the ethos of Shirley Jackson and Ray Bradbury.

Fabulist Ludwigsen (In Search Of and Others, 2013) returns with a fresh collection of surreal tales from the dark side.

As in his previous volume, Ludwigsen uses a popular television show as a rough framework for his eerie tales. This time, the early 1960s late-night show is called Acres of Perhaps and is clearly standing in as a cheaper, more oddball version of The Twilight Zone. Our narrator for this primary story is Barry Weyrich, a writer haunted by his perceived lack of talent or ambition. “I was just Barry Weyrich, the guy who wrote about spacemen in glass bubble helmets, who put the commas in everyone’s scripts, who never had writer’s block, who grimaced when they talked about 'magic,' " he tells us. His frenemy among the other writers is David Findley, an “eloquent drunk” whose expansive imagination fuels the show’s strangest episodes and who turns out, in the end, to not be quite whom he represented to his friends. A handful of interstitial entries scattered between four more stand-alone stories offer synopses of episodes from Acres of Perhaps along with wry show notes. “The Zodiac Walks on the Moon” offers a peek inside the head of the Zodiac killer and his take on the moon landings. “The Leaning Lincoln” echoes some of Stephen King’s more grounded stories, with a tale of a small leaden toy that brings calamity with it. Other than the title story, the collection’s cleverest attraction is “Night Fever,” an oral history that imagines that Charles Manson was imprisoned during the 1960s and emerged fully obsessed with the Bee Gees in the days of disco. Ludwigsen ties things up with the elegiac “Poe at Gettysburg,” which imagines the erratic poet as president delivering a very different version of the Gettysburg Address.

Evocative tales of alternate realities steeped in the ethos of Shirley Jackson and Ray Bradbury.

Pub Date: April 22, 2018

ISBN: 978-159021-365-0

Page Count: 198

Publisher: Lethe Press

Review Posted Online: Feb. 10, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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