A folksy visual treatment of tales for little folks.
Moses’ signature folk-art style is ideally suited to his retellings of five well-known fairy tales.
“Little Red Riding Hood,” “Rumpelstiltskin,” “Snow White,” “Puss in Boots,” and “Beauty and the Beast” are the tales Moses includes in this collection, which concludes with a note to adult readers about the ongoing relevance and importance of fairy tales. As with any retelling, the question to consider is whether this collection adds anything new or otherwise distinguished to the fairy-tale shelf. A positive response rests in consideration of pacing and design: the collection uses two spreads per tale to tell the story in long blocks of text that are illustrated with a series of small vignettes. The fine details of the art on these pages are somewhat difficult to see, but the payoff comes in the third, wordless spread that concludes each tale. This incorporates the vignette illustrations from the prior pages to reveal a continuous narrative of the entire story on the facing pages. Here, Moses’ skill as a landscape artist is on conspicuous display, and each scene invites reflection back on the story told on prior pages. The verbal storytelling itself is unremarkable, which ultimately makes the design of the book with its wordless spreads shine over textual achievement.
A folksy visual treatment of tales for little folks. (Picture book/fairy tales. 5-8)Pub Date: Sept. 15, 2015
ISBN: 978-0-451-47283-0
Page Count: 48
Publisher: Viking
Review Posted Online: June 9, 2015
Kirkus Reviews Issue: July 1, 2015
A jam-packed opener sure to satisfy lovers of the princess genre.
Ice princess Lina must navigate family and school in this early chapter read.
The family picnic is today. This is not a typical gathering, since Lina’s maternal relatives are a royal family of Windtamers who have power over the weather and live in castles floating on clouds. Lina herself is mixed race, with black hair and a tan complexion like her Asian-presenting mother’s; her Groundling father appears to be a white human. While making a grand entrance at the castle of her grandfather, the North Wind, she fails to successfully ride a gust of wind and crashes in front of her entire family. This prompts her stern grandfather to ask that Lina move in with him so he can teach her to control her powers. Desperate to avoid this, Lina and her friend Claudia, who is black, get Lina accepted at the Hilltop Science and Arts Academy. Lina’s parents allow her to go as long as she does lessons with grandpa on Saturdays. However, fitting in at a Groundling school is rough, especially when your powers start freak winter storms! With the story unfurling in diary format, bright-pink–highlighted grayscale illustrations help move the plot along. There are slight gaps in the storytelling and the pacing is occasionally uneven, but Lina is full of spunk and promotes self-acceptance.
A jam-packed opener sure to satisfy lovers of the princess genre. (Fantasy. 5-8)Pub Date: June 25, 2019
ISBN: 978-1-338-35393-8
Page Count: 128
Publisher: Scholastic
Review Posted Online: March 26, 2019
Kirkus Reviews Issue: April 15, 2019
A close encounter of the best kind.
Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.
While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.
A close encounter of the best kind. (Picture book. 6-8)Pub Date: May 14, 2019
ISBN: 978-0-8234-4253-9
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
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