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The Rahwan

A raw, sensual odyssey of sex and faith in chaotic, alluring modern-day West Africa.

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Thorpe’s (Incompetence, 2015) vivid, impressionistic novel about a Westerner’s strange travels around Mali.

Hank Westland, an American convert to Islam, lives a dissolute life in Bamako, Mali, getting drunk every night and bedding a procession of African women. But his mind is elsewhere, far away; in Timbuktu, his friend professor Kati has been accused of sorcery by a Tuareg extremist militant group called Ansar Dine, and he’s being held in a captivity that he may not survive. Westland wants to travel to save his friend, but first he must go see Al Hajj Tidjani, the leader of the Umarian Tidjanniya order that the American has recently joined as a new convert. He arrives at the compound and greets the wily, enigmatic leader, his wives, and their various daughters; their worldview, inspired by idiosyncratic readings of the Quran and the Hadith, quickly begins to challenge his complacency on a variety of issues. As a Christian minister’s son, he’d spent years teaching at a college in the Pacific Northwest, a laid-back, easygoing area where “a bumper-sticker often seen around town read, ‘Mean People Suck.’ ” By contrast, Westland reflects about West Africa, “You lived here in one day more than most people did in twenty years in the U.S.” His experiences in the camp reel wildly from his usual priapism to steep discussions of various Islamic subjects; an in-camp circumcision scene, though, may have every male reader reflexively wincing. Thorpe’s narrative is lushly sensuous, wonderfully capturing the textures and contradictions of Muslim life in Mali and also offering thought-provoking digressions into the nature of Islam (“The true hajj does not mean traveling to Mecca,” Westland learns at one point, for example. “The true hajj is the hajj to the point of mercy at the very center of your spiritual being”). The result is a somewhat jumbled but instantly memorable novel in the spirit of Paul Bowles’ work.

A raw, sensual odyssey of sex and faith in chaotic, alluring modern-day West Africa.

Pub Date: Sept. 25, 2015

ISBN: 978-1-5075-5000-7

Page Count: 248

Publisher: CreateSpace

Review Posted Online: March 9, 2016

Kirkus Reviews Issue: April 15, 2016

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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