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CLAWS

A Minnesota teen who thinks he leads the perfect life finds out that he doesn’t. All is golden for Jed: he’s number one on the tennis team; his father lets him drive his muscle Camaro; he’s got the prettiest girl in school adorning the passenger seat; his parents are rich, beautiful, and successful. All is golden, that is, until a mysterious girl demands a meeting one day to tell him that his father is having an affair with her mother—and suddenly all of Jed’s assumptions fly out the window. As he pursues the truth of the matter, his life begins to unravel, and he learns that he is just as subject to human misery as anyone else. Weaver (Memory Boy, 2001, etc.) succeeds beautifully in limning the raw emotions of a family under stress and in creating a brutally honest voice for his protagonist. When Jed comes home from school the day after his father moves out, his mother “suddenly began to weep. I crossed the foyer and held her. It was the least I could do. But it pissed me off, and she felt frail and sharp boned and lost, and something in my heart turned cold.” Weaver is less successful at developing the relationship between Jed and Laura, the girl who tells him of the affair. Their e-relationship is convincing, as is their growing attachment to each other, but the focus on emotion is wrenched off-course when Laura’s troubled little sister tries to paddle away to Canada and she and Jed pursue her through the Boundary Waters in a canoe. This diversion into outdoor adventure does another U-turn when their rescue ends in tragedy, and Jed ends up living in his bedroom, obsessed with a computer game in which he designs a family of total losers. Didactically appropriate, this apocalyptic ending nevertheless betrays the emotional honesty of the first half of the story. Worthwhile, but a pity about the trifurcated personality. (Fiction. YA)

Pub Date: March 1, 2003

ISBN: 0-06-009473-7

Page Count: 240

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2003

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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  • New York Times Bestseller

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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