Entertaining and educative.
A clever weekend baker learns some life lessons, loaf by loaf.
As in his previous book (The $64 Tomato: How One Man Nearly Lost His Sanity, Spent a Fortune, and Endured an Existential Crisis in the Quest for the Perfect Garden, 2006), Alexander sets a fairly lofty goal—this time he wants to bake perfect bread. The author established a time frame for his task of a loaf per week for a year. That undertaking may not be as showy, perhaps, as cooking all of Julia Child’s recipes in the same time period, but it’s a formidable task nonetheless. Alexander used just four ingredients, baking his peasant yet artisanal bread from scratch using water, salt, wheat and yeast—a 6,000-year-old recipe “found scratched on the inside of a pyramid.” The author built a rudimentary oven, separated wheat from chaff by hand and worked diligently to produce the ever-important gas bubbles in his bread’s texture. Some of his baking, presented to an obliging family, was tasty, while some went against the grain. He considered sponge and crust, crumb and batter and the magical qualities of the ubiquitous ancient fungus, yeast. He also traveled quite a bit, baking in New England, at the Ritz in Paris, in a medina in Morocco and finally in l’Abbaye Saint-Wandrille, a modest seventh-century French abbey where he produced his best loaf. During his quest, Alexander learned plenty. For example, the professed atheist found something numinous in the loaves, and especially the process. His bright writing highlights a pleasing variety of comical misadventures. Recipes appended.
Entertaining and educative.Pub Date: May 4, 2010
ISBN: 978-1-56512-583-4
Page Count: 352
Publisher: Algonquin
Review Posted Online: Sept. 16, 2010
Kirkus Reviews Issue: Feb. 15, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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