Thought-provoking, if inconsistent.
A science-fiction short story collection that showcases the possibilities of the near and distant future.
This collection of 10 stories includes entries by a number of popular authors for young people. Most are written in traditional prose, such as A.R. Capetta’s second-person narrative, “The Most Epic Nap in the Universe,” but others branch out: Maddi Gonzalez’s “Zabrina Meets the Retro Club” is a black-and-white comic, and Eliot Schrefer’s “A Proposal to the Animal Congress” consists of a dialogue between two forms of artificial intelligence. Standouts include Kekla Magoon’s plot-driven, high-stakes heist story, “The Whistleblowers,” in which two kids battle big pharma to acquire medical research that calls into question the safety of EternaLife, a miracle drug intended to reverse the effects of aging. David Robertson’s “Of What We Never Were” also shines: In it, middle schooler Stacy is a test subject for whole brain emulation, a process in which the neural contents of a deceased person—in this case, Stacy’s best friend, Adam—are uploaded to an interactive AI device. Robertson sensitively raises questions surrounding grief, loss, and what it means to be human. Although several of the stories falter in the face of the challenge of explaining complex scientific theories in an engaging and accessible way to a younger audience, the themes of humanity, morality, and the quest for knowledge will appeal beyond aficionados of the genre. Naturally inclusive diversity is interwoven throughout, for example through the presence of nongendered characters.
Thought-provoking, if inconsistent. (contributor bios) (Science-fiction anthology. 10-14)Pub Date: May 20, 2025
ISBN: 9781536236392
Page Count: 288
Publisher: MIT Kids Press/Candlewick
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
BOOK REVIEW
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK REVIEW
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BOOK TO SCREEN
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and...
Good has won every fairy-tale contest with Evil for centuries, but a dark sorcerer’s scheme to turn the tables comes to fruition in this ponderous closer.
Broadening conflict swirls around frenemies Agatha and Sophie as the latter joins rejuvenated School Master Rafal, who has dispatched an army of villains from Capt. Hook to various evil stepmothers to take stabs (literally) at changing the ends of their stories. Meanwhile, amid a general slaughter of dwarves and billy goats, Agatha and her rigid but educable true love, Tedros, flee for protection to the League of Thirteen. This turns out to be a company of geriatric versions of characters, from Hansel and Gretel (in wheelchairs) to fat and shrewish Cinderella, led by an enigmatic Merlin. As the tale moves slowly toward climactic battles and choices, Chainani further lightens the load by stuffing it with memes ranging from a magic ring that must be destroyed and a “maleficent” gown for Sophie to this oddly familiar line: “Of all the tales in all the kingdoms in all the Woods, you had to walk into mine.” Rafal’s plan turns out to be an attempt to prove that love can be twisted into an instrument of Evil. Though the proposition eventually founders on the twin rocks of true friendship and family ties, talk of “balance” in the aftermath at least promises to give Evil a fighting chance in future fairy tales. Bruno’s polished vignettes at each chapter’s head and elsewhere add sophisticated visual notes.
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and flashes of hilarity. (Fantasy. 11-13)Pub Date: July 21, 2015
ISBN: 978-0-06-210495-3
Page Count: 672
Publisher: Harper/HarperCollins
Review Posted Online: June 25, 2015
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