An exceptional storyteller in fine form.
A London-based writer finds himself stuck in the webs of British intelligence.
It’s 1960 and Gabriel Dax is flying home to England after interviewing Congolese Prime Minister Patrice Lumumba when a series of “strange coincidences” begins. He’s upgraded to first class and a woman on the plane is reading one of his travel books. Back home he finds someone has left his flat in “careful disarray,” and the plane woman appears in his neighborhood. She soon reappears, says she’s from MI6, and asks him to “do us a small service.” The job goes smoothly except for the woman who plants heroin on Gabriel, which he discovers before the police do, and the CIA man who’s interested in the tape recording of the Lumumba interview because it reveals a direct link between the prime minister’s subsequent assassination and former U.S. President Dwight D. Eisenhower. Boyd sets his story not long after news of Guy Burgess and the other Cambridge Five double agents began to emerge. Dealing with such moles becomes a larger theme of the book and provides a nasty twist at the end. In this murky world, Gabriel is a kind of Evelyn Waugh naif caught in a Graham Greene plot, and one of the book’s pleasures is his entirely plausible resourcefulness as challenges grow more perilous. While Boyd craftily ramps up the complications for his reluctant spy, he also gives him a full life apart from intelligence errands. He has embarked on a new travel book, about major rivers. He’s enjoying great sex with a woman who doesn’t seem to demand much more. And he has begun therapy sessions for insomnia and dreams that recall when he was 6 and his house burned down, leaving his mother dead while he barely escaped. Boyd doesn’t quite weave all these strands into a neat little package, but it’s still a highly entertaining book that can easily bear a few loose ends.
An exceptional storyteller in fine form.Pub Date: Dec. 3, 2024
ISBN: 9780802164872
Page Count: 272
Publisher: Atlantic Monthly
Review Posted Online: Aug. 30, 2024
Kirkus Reviews Issue: Oct. 1, 2024
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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