by William Crow Johnson ‧ RELEASE DATE: Oct. 20, 2021
A humorous, charming collection of tales set in a Midwestern town.
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A volume of short stories probes the foibles and fascinations of the residents of a small Indiana town.
What goes for excitement in Sedalia may be different than in other places, but its residents are ready to swarm at the first hint of it. The nosy breakfasters at the local cafe speculate about an unknown car with New York plates that spent the night in a neighbor’s driveway. The idlers at the gas station are curious about how the local undertaker’s behavior has changed since the death of his wife. The sheriff has been getting reports of people buying night-vision goggles at the gun store, and the town doctor may be getting audited by the IRS. Nothing in Sedalia is too small to escape notice. “I mean, naked trucker, running along the bottom of the embankment below the northbound lane,” reports a state police officer at the beginning of one tale. “Nothing but shoes. Obviously trying to avoid being seen. Which is obviously impossible. We get eleven different calls.” Gossip is the fuel of the local discourse, though sometimes the really interesting things are the ones that don’t get said. People who spot bears, for example, can’t tell anyone about them given that the Department of Natural Resources’ official line is that there are no bears in Indiana. Most people born in the town stay in the town. Sedalians tend not to fare as well when they try to make it in the wider world, as with Wanda Sue Blankenship. Wanda moves to New York to be a lawyer and tries to hide her Southern Indiana accent—unsuccessfully. In these 19 stories, the residents of Sedalia are held up for readers’ appraisals, though they can never be judged as thoroughly by an outsider as they are by one another.
Johnson’s prose is easy and wry, perfectly calibrated to the speed of life in his fictional, eponymous municipality. “The skinny young man lay asleep in a filthy sleeping bag just a foot from the edge of the bridge abutment,” begins one tale about an anti-capitalist hitchhiker who has a short but memorable stay in town. “The drop to the dry stone river bed was fifteen feet. His head lay on folded pants, his long brass-colored hair hopelessly tangled. The snore suggested nasal occlusion.” The author has a knack for pinpointing not only the way characters look to the people around them, but also how they appear to themselves. Sedalia’s slight inferiority complex regarding the rest of America—and its snooty neighbor, Elmira, Indiana—is a recurring theme. “Dysfunction in the Mole Challenge Group” is a particular standout, but the strength of these stories is the way that characters weave in and out of them, offering a larger view of the dynamics of the town. Neighbors who appear in one piece are often explored at length in another. As in Sherwood Anderson’s Winesburg, Ohio and subsequent works of locality-based fiction, Johnson’s book manages to simultaneously poke fun and celebrate small-town American life.
A humorous, charming collection of tales set in a Midwestern town.Pub Date: Oct. 20, 2021
ISBN: N/A
Page Count: 257
Publisher: N/A
Review Posted Online: Oct. 13, 2021
Kirkus Reviews Issue: Dec. 15, 2021
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: Feb. 6, 2024
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
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by Colleen Hoover ‧ RELEASE DATE: Oct. 18, 2022
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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