by William Deresiewicz ‧ RELEASE DATE: May 2, 2011
A literary critic confronts his callow youth and finds salvation in the pages of the English romantic novelist.
In the early pages, former Yale English professor Deresiewicz (Jane Austen and the Romantic Poets, 2005) recalls being an unlikely candidate for Jane Austen fandom, let alone the Austen scholar he later became. An aficionado of severe modernist bricks like Ulysses, he first read Emma only because he was compelled to for a course requirement. But Austen’s skewering of contempt and pretentiousness among the English gentry hit home. “[S]he was showing me my own ugly face,” he writes. Each of this book’s main six chapters is framed around a particular Austen novel, along with a life lesson Deresiewicz took from it. In Pride and Prejudice, he learned not to be so quick to judge; through Northanger Abbey, he discovered the importance of understanding others’ perspectives; Mansfield Park imparted a message about the perils of social climbing. The structure is somewhat facile, but his command of Austen’s life and works is assured, and he’s an engaging penitent, exposing his emotional scars without being manipulative. The Mansfield Park chapter is particularly incisive, drilling deep into his motivations for befriending a set of upper-crust New Yorkers, and bouncing that experience against the emotional parrying in Austen’s novel. Deresiewicz’s path of discovery has an Austenish arc. After years of dismissiveness toward others, he learned to become openhearted and—how else could a book like this end?—eventually marry his true love. Though he occasionally ventures deep into the weeds elaborating on a novel’s particular plot point—some of the dust of his dissertation work sticks to these pages—he’s generally careful to keep the book appealing to both Austenites and those looking for a good memoir. Deresiewicz smartly finds the practical value of Austen’s prose without degrading her novels into how-to manuals.
Pub Date: May 2, 2011
ISBN: 978-1-59420-288-9
Page Count: 272
Publisher: Penguin Press
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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