by William Diehl ‧ RELEASE DATE: Nov. 1, 1997
Veteran thriller writer Diehl pits scrappy Chicago lawyer Martin Vail against Bible-thumping militia maniacs and Vail's old adversary, psychokiller Aaron Stampler, in a mindless plotboiler that never fails to please. Having succeeded fabulously as a defense attorney (Primal Fear, 1993) and then as a district attorney (Show of Evil, 1995), crusading, street-smart Vail is now promoted to the lofty, politically turbulent office of Illinois State Attorney General. Between passionate trysts with his previous courtroom opponent, Jane Venable, Vail can't keep his paws (speaking of same) off corrupt politicians. Having committed his too-good-to-be-billable talents to the public weal, he effortlessly sends a pack of scalawags to jail using the RICO statute. He then finds himself tapped by US Attorney General Margaret Castaigne to draw up a RICO indictment against General Joshua Engstrom, a right-wing militia commander whose wacko religious order, the Sanctuary, may have been behind a terrorist attack on an Army convoy in Montana. Vail rapidly learns of Engstrom's hatred for his former Army buddy Lawrence Pennington, now President of the United States. Before you can say Ruby Ridge all over again, Diehl tosses in Arnold Stampler, Vail's homicidal former client and nemesis, as a fundamentalist preacher who feigns blindness and spouts marginally comprehensible hate sermons on Engstrom's radio station. From here on, Diehl's forced and foolish story hurtles on at full throttle, never stopping to question itself or the preposterousness of its plot. Vail staggers from one contrived cliffhanger to another until almost everyone is blown up except Stampler and Vail himself, who takes a bullet through his heart but has enough chutzpa to insult the President and thumb his nose at a federal judgeship. What a guy! Fizzy male wish-fulfillment that bulges with Clancyesque histrionics, frothing fundamentalist foment, and more than you want to know about hate groups and RICO indictments. (Literary Guild main selection/Mystery Guild selection; author tour)
Pub Date: Nov. 1, 1997
ISBN: 0-345-41144-7
Page Count: 448
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1997
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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