Scholarly readers who thought Hitchens’ God Is Not Great (2007) went too far will appreciate this temperate and thoughtfully...
A literary rally to restore sanity in religion.
From the Crusades to the terrorist attacks of recent decades, the stories of religious beliefs gone awry that populate the history books are proof enough to “new atheist” authors like Christopher Hitchens that religion is the root of all evil. Egginton (The Theater of Truth, 2010, etc.), on the other hand, argues that fundamentalism, not religion, is to blame for acts of violence and political unrest, putting atheists and religious zealots on the opposite sides of the same extreme coin. The author deftly weaves history's greatest dialogues, like Plato's "Allegory of the Cave," with examples from contemporary popular culture, like Dan Brown's The Da Vinci Code, to show how fundamentalism is a threat to world peace. He argues that once people accept that there is a "code of codes," or an underlying truth that negates opposing beliefs, they lose the heart of science, politics and even religion, which is skepticism. Digging deeper, Egginton cites the works of Christian philosophers like St. Thomas Aquinas and St. Augustine to suggest that scientific method and faith are not mutually exclusive. Citing statistics that prove just how many modern-day Christians believe in the Second Coming of Christ without condemning other religions and the vast numbers of Muslims who read the Koran without resorting to violence, the author brings to light a very different America than the one seen on television. He calls on saints and scientists alike to fight dogma—whether religious or scientific—with reason.
Scholarly readers who thought Hitchens’ God Is Not Great (2007) went too far will appreciate this temperate and thoughtfully researched look at religion.Pub Date: June 1, 2011
ISBN: 978-0-231-14878-8
Page Count: 176
Publisher: Columbia Univ.
Review Posted Online: May 19, 2011
Kirkus Reviews Issue: June 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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