To remedy a glaring neglect in their American Heritage Series, general editors Leonard Levy and Alfred Young gave the inimitable Buckley a loose rein to gather together his version of the best of twentieth century American conservative thought. Buckley's introduction, sober, cogent, of a pungency well below the Vidal debate heights, centers around the experiences of National Review and "their bearing, by the processes of exclusion, on a workable definition of contemporary conservatism." (The featured excludees: Avn Rand, Dr. Murray Rothbard and "his merry anarchists," Robert Welch and fellow Birchers, and dedicated atheists.) With a deliberate bias for the most current thinkers and an eclectic sensibility for attitudes and tones which are quintessentially conservative, Buckley "corrals into a single volume" diverse contributions by conservatives arch and archetypal on the historical and intellectual bases of American conservative thought, the limitations of the state, contemporary challenges to the social order, social science and the nature of progress, and the spiritual crises of Western culture and of conservatives resisting the twentieth century. Pieces range from the broadly analytical (like Gary Wills' "The Convenient State") to the issue-oriented (e.g., Ernest van den Haag's "Race: Claims, Rights and Prospects") to the poetical-devotional (Frederick D. Wilhelmsen's "Christmas in Christendom"). Buckley's selections and section prefaces reflect his individual dream talking, an asset insofar as this frames the parts into a cohesive (though pluralistic) personal vision, but a liability in a collection for a series intended to be standard and authoritative.
Pub Date: March 1, 1970
ISBN: 0672512408
Page Count: -
Publisher: Bobbs-Merrill
Review Posted Online: Oct. 13, 2011
Kirkus Reviews Issue: March 1, 1970
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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