Literate, absorbing, and thought-provoking. Buckley at his best.
The 15th novel by the conservative intellectual godfather and gadfly is a brainy thriller cut from the same cloth as Spytime (2000): fast-moving and based on historical events only all too real.
Civil engineer Axel Reinhart prepares to leave Hamburg with his wife Annabelle and 13-year-old son, Sebastian, for a stay in America. The Gestapo refuse Axel permission to leave Germany, and the narrator thereafter shifts to his family’s years in America, with briefly juxtaposed glimpses of both Axel’s unwilling involvement in Nazi projects and flashbacks to the histories of his own and (especially) his wife’s families, in which we learn what Sebastian himself does not yet know: that he is of part-Jewish ancestry. The bulk of the story records Sebastian’s growth to young manhood; his OCS training, and selection to work as a translator at the International War Crimes Tribunal in Nuremberg in the years 1945–46; and his eventual disillusionment as he learns what happened to the father he never saw again after leaving his homeland. Buckley creates vivid cameo portraits of such crucially involved historical figures as Hermann Goering and American Justice Robert Jackson, and matches them with in-depth characterizations of stoical, thoughtful Sebastian and of the steely, infuriatingly self-possessed concentration camp commandant (named “Amadeus”!) to whom he’s “assigned.” An enormous amount of information is packed into the story, and Buckley doesn’t altogether solve the problem of mingling exposition with drama, especially in the early going. But the dialogue (always one of this author’s strong points) is crisp and revelatory, and the dramatic momentum of the final hundred pages—in which the tribunal reaches verdicts and Sebastian finds in himself the capacity to rethink the imperatives of right and wrong—has a tumbling intensity reminiscent of Richard Condon’s sardonic fictions.
Literate, absorbing, and thought-provoking. Buckley at his best.Pub Date: June 1, 2001
ISBN: 0-15-100679-2
Page Count: 384
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2002
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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