Extracts from Buckley's Firing Line program, plus much sparkling new commentary. The interview extracts, drawn from the show's 24-year-old files, include joustings with such figures as Norman Mailer, Barry Goldwater, Timothy Leafy, Muhammed Ali, Margaret Thatcher, Richard Nixon, George Wallace, and George McGovern. Buckley groups the interviews into subject categories—"The Sixties," "The Impossible Guest" (Panamanian Demetrios Lakas, who evaded all questions for an hour), "Crime and Punishment," etc., each introduced and interwoven with retrospective reflection that, as Alistair Cooke puts it in his introduction, "restores [Buckley's] roles of district attorney, mocker, lover of the last word, and. . .confessor of grevious sins." There are shocking moments (Lakas stating off camera that "I'd just as soon fuck Castro as sign a treaty with him") and priggish ones (Buckley pointedly ignoring porn star Harry Reems, an unwanted added guest: "He deserved," writes Buckley, ". . .the ostracism that anyone deserves who makes his living by exhibitionistic obscenity"). Buckley also shows his less astringent side by tackling cultural subjects—e.g., harpsichordist Rosalyn Tureck's thoughts on live vs. recorded performance—and his less dogmatic side, e.g., declaring that, in his fight for conscientious-objector status, Muhammed Ali was a victim of the establishment. Vintage Buckley, sure to preach to the converted and outrage the skeptical, executed with maximum charm.
Pub Date: April 28, 1989
ISBN: 394-57568-7
Page Count: -
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1989
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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