The entertaining machinations of the Blackford Oates series (Last Call for Blackford Oates, 2005, etc.) are missing from...
From the veteran political commentator and espionage novelist, a shallow tale of the unmasking of a bigamous presidential contender.
In the fall of 1969, at the University of North Dakota, Reuben Castle is a BMOC, editor of the student newspaper and a leading protester against the Vietnam war. He and his girlfriend, the French-Canadian Henri(etta) Leborcier, lose their virginity in a duck blind. When Henri discovers she is pregnant, she takes Reuben to her hometown of Letellier, across the border, where they are married in secret by her old Catholic priest. Henri then leaves to have the baby in France, where her father lives, intending to return after the birth; she is shocked when Reuben ditches her, breaking off contact. The story skips around over the next 22 years. At his father’s insistence, Reuben is drafted to Vietnam, where he cannily avoids combat assignments; he also avoids his father’s funeral, though the military has returned him stateside. Reuben, clearly, is a heel. In time he becomes a rising political star, with an eye-catching marriage to a former Miss America and an effortless entry into the U.S. Senate. He is taken up by prescient kingmaker Harold Kaltenbach, shopping around for a viable Democrat to run for the White House in ’92; he does not see Reuben’s womanizing as a problem. You may be reminded here of another womanizing liberal Democrat getting set to run in ’91, but this is no Primary Colors. His characters are stick figures, and Reuben’s attempt to suppress evidence of his first marriage lacks suspense; a prologue has tipped us off to his use of arson. The last chance for drama disappears when Reuben’s son Justin, now a student at Notre Dame and hot on his father’s trail, refuses to confront him in person.
The entertaining machinations of the Blackford Oates series (Last Call for Blackford Oates, 2005, etc.) are missing from this lackluster effort.Pub Date: Aug. 1, 2007
ISBN: 978-0-06-123855-0
Page Count: 288
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2007
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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