The entertaining machinations of the Blackford Oates series (Last Call for Blackford Oates, 2005, etc.) are missing from...
From the veteran political commentator and espionage novelist, a shallow tale of the unmasking of a bigamous presidential contender.
In the fall of 1969, at the University of North Dakota, Reuben Castle is a BMOC, editor of the student newspaper and a leading protester against the Vietnam war. He and his girlfriend, the French-Canadian Henri(etta) Leborcier, lose their virginity in a duck blind. When Henri discovers she is pregnant, she takes Reuben to her hometown of Letellier, across the border, where they are married in secret by her old Catholic priest. Henri then leaves to have the baby in France, where her father lives, intending to return after the birth; she is shocked when Reuben ditches her, breaking off contact. The story skips around over the next 22 years. At his father’s insistence, Reuben is drafted to Vietnam, where he cannily avoids combat assignments; he also avoids his father’s funeral, though the military has returned him stateside. Reuben, clearly, is a heel. In time he becomes a rising political star, with an eye-catching marriage to a former Miss America and an effortless entry into the U.S. Senate. He is taken up by prescient kingmaker Harold Kaltenbach, shopping around for a viable Democrat to run for the White House in ’92; he does not see Reuben’s womanizing as a problem. You may be reminded here of another womanizing liberal Democrat getting set to run in ’91, but this is no Primary Colors. His characters are stick figures, and Reuben’s attempt to suppress evidence of his first marriage lacks suspense; a prologue has tipped us off to his use of arson. The last chance for drama disappears when Reuben’s son Justin, now a student at Notre Dame and hot on his father’s trail, refuses to confront him in person.
The entertaining machinations of the Blackford Oates series (Last Call for Blackford Oates, 2005, etc.) are missing from this lackluster effort.Pub Date: Aug. 1, 2007
ISBN: 978-0-06-123855-0
Page Count: 288
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2007
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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