edited by William F. Nolan & Martin H. Greenberg ‧ RELEASE DATE: Nov. 1, 1991
A sheaf of 23 original stories in tribute to Ray Bradbury's 50 years in fantasy and science fiction. Among the more celebrated authors that were gathered to honor Bradbury's 350 editions in 30 countries around the world are Isaac Asimov (with a tribute), Orson Scott Card, Gregory Benford, Charles L. Grant, Richard Matheson, F. Paul Wilson, Norman Corwin, Robert Sheckley, the late Charles Beaumont and his son Christopher Beaumont (his debut short story)—and Bradbury himself, who offers ``The Troll,'' a lost story (but one of his best!) from 1950 that Bradbury repolished for Nolan. He also contributes a moving if muzzy, modestly voiced memoir about his early writing (``...I was advancing from terrible into awful, on my way to mediocre''). This is a gleeful crew, each writer linking his story in some way to Bradbury tales or characters. Nolan's wife Cameron Nolan offers ``The Awakening,'' a solid work about the sexual awakening of Douglas Spaulding of Dandelion Wine, while Nolan himself offers a wildly entertaining parody, ``The Dandelion Chronicles'' (``The Waukegan crowd sighed, gasped, choked, cried out, the look of the great dream-colored climbing strawberry rocket in their round Illinois eyes...''). The longest work of devotion here, and perhaps the most powerful, is Orson Scott Card's ``Feed the Baby of Love,'' tying Dandelion Wine's 1928 time period to the present. Robert Sheckley's ``The Other Mars'' is a witty updating of what spacemen might find on a Bradburyized Mars today, oddly still a place of mythic fantasy. Christopher Beaumont's ``The Man with the Power Tie'' tells of the son of the psychiatrist in Bradbury's ``The Man in the Rorschach Shirt,'' who finds himself wearing a horrible tie that soaks up luck and energy. First-rate in every way, stories, editing, and as an act of love.
Pub Date: Nov. 1, 1991
ISBN: 0-451-45134-1
Page Count: 320
Publisher: ROC/Penguin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1991
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Kevin Hearne ‧ RELEASE DATE: Feb. 4, 2020
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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