Hellfire—in all the right ways.
Thirteen lively stories in a first collection from novelist Gay (The Long Home, 1999, etc.), mostly about southern men tempted to run off with tempting young southern women.
The tales gravitate toward violence, both when they should and when they shouldn’t. In the title story, though, a widower abandons his nursing home (“a factory where they make dead folks and I ain’t workin’ there no more”) and returns home only to find that his house has been rented to an old nemesis; and a suicide is discovered in a couple’s field in “A Death in the Woods,” but why did the man choose here and how does the haunting of his ghost reflect the couple’s marital problems? “Bonedaddy, Quincy Nell, and the Fifteen Thousand BTU Electric Chair” is a bizarre and sometimes sweet love story that unfortunately does end with uncalled-for violence. The best of the bunch is “The Man who Knew Dylan,” a similar piece in which a man travels “into a world where the owls roosted with the chickens, where folks kept whippoorwills for pets and didn’t get the Saturday Night Opry till Monday morning” There, when he finds an intoxicating young woman who might be the Grim Reaper, she tells him, “‘I thought you looked like a man with a bridge on fire.’” “The Paperhanger” is another odd affair that leads toward murder, whereas in “Crossroads Blues” a man experiences the apathy of his ex-wife and the poetic mysticism of the Delta. The promise and intrigue of a bootlegger’s booty brings hope to a man’s doomed romantic prospects (“Closure and Roadkill on the Life’s Highway”), and another man spirals into violence and despondency after he shoots his wife’s dog (“Sugarbaby”). These stories are loud—lots of guns, lots of death—but the plot-heaviness isn’t a substitute for fine character and plenty of dialogue that’s as charming as it is wise.
Hellfire—in all the right ways.Pub Date: Oct. 15, 2002
ISBN: 0-7432-4088-X
Page Count: 320
Publisher: Free Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2002
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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