A meaningful call to revise our view of poverty and to insist on real action to rectify the situation.
A prominent faith leader and social activist argues that poverty is much more deeply entrenched in America than we think.
“One of the most damnable features of our common life is the way we talk about poverty as if it’s an anomaly and not a feature of our economic system,” writes Barber II, founding director of the Center for Public Theology and Public Policy at Yale Divinity School. That feature shifts wealth from the already have-nots to the already haves, but with divisive subterfuge: White Americans are thought to be working-class and Blacks poor. The definition of poverty must be extended, notes the author, to incorporate anybody who cannot afford to pay rent and their other expenses, which would result in a number far larger than is now counted by official reports. By that widened scope, the number of the poor includes vastly more white people than Black. Simply changing the way poverty is measured changes the picture, and given that “the average worker in America makes $54 a week less than they did 50 years ago, after adjusting for inflation,” that picture must change in order to truly address the problem. Economic class should trump racial or ethnic classification, Barber suggests, and if it did, then the poor would have every reason to forge a political movement to press their demands—for which reason Jim Crow’s “son went to law school and came back to state legislatures in a business suit.” One Black elder’s lament rings especially true: Black Americans have the models of Martin Luther King Jr. and Malcolm X to honor, “but those poor white folk—they ain’t never had a champion.”
A meaningful call to revise our view of poverty and to insist on real action to rectify the situation.Pub Date: June 11, 2024
ISBN: 9781324094876
Page Count: 256
Publisher: Liveright/Norton
Review Posted Online: April 2, 2024
Kirkus Reviews Issue: May 1, 2024
BOOK REVIEW
BOOK REVIEW
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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