Virtuecrats Bennett and gang haul in the usual suspects in this flat-footed, statistic-heavy collection of warmed-over nostrums. If the doomsayers are right, we are soon in for the mother of all crime waves, as the Baby Boomers' offspring enter their dangerous late teens. Conjoined with the general decline in moral values, community, and sobriety, these teenagers will be horrifingly violent, cold-blooded ``super predators'' bent on mayhem for mayhem's sake. But don't despair: Bennett (The Moral Compass, 1995, etc.), Princeton professor DiIulio, and Walters, the executive director of the Council on Crime in America, have the answers: Restrict alcohol, ratchet up the war on drugs, increase prison sentences, make adoption easier, provide youth with positive role models, improve education, and above all, revive religious faith. To back up their tough-minded prescriptions, they've dredged up all the right corroborating statistics. While their findings are generally convincing—if not downright obvious—the authors could use a refresher course on the abuse and misuse of statistics; for instance, having cited various studies on the correlation of alcohol use and crime, they appropriately warn readers that there is no proof of a causal relationship; but they then do a backflip, citing mere ``common sense'' to support such a relationship. However, they do succeed in exploding several of the more popular canards about crime, including the frequently made assertion that our prisons are filled with nonviolent drug offenders and that poverty is the root cause of criminality. Despite the authors' desire to appear contrarian, most of the recommendations in this book (except the call for a renewed war on drugs) are squarely in the mainstream of modern criminological thought. But then, the virtue industry has never made a virtue of originality. (Book-of-the-Month Club selection; national television/radio satellite tours)
Pub Date: Oct. 14, 1996
ISBN: 0-684-83225-9
Page Count: 256
Publisher: Simon & Schuster
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 1996
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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