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THE MORAL COMPASS

Name: THE MORAL COMPASS
Author: William J. Bennett
ISBN: 0-684-80313-5

STORIES FOR A LIFE'S JOURNEY

edited by William J. Bennett ‧ RELEASE DATE: Oct. 20, 1995

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No moral ambiguities in another sweeping potpourri from the compiler of the 1993 bestselling Book of Virtues. From Disney's Pocahontas and its messages about greed and environmentalism to ironic Sufi parables of men more foolish than donkeys, every fairy tale has a moral. Some are more subtle than others. There's nothing subtle about the messages in this new assemblage of fables, inspirational biographies, poems, letters, and essays from the former secretary of education, presently an eloquent spokesman for traditional values. The stories are selected to offer children and young people ``unequivocal, reliable standards of right and wrong.'' This volume is organized according to life's passages, from earliest childhoodwith tales about how even the smallest children can learn to value obedience, family loyalty, and self-sacrificethrough adolescence, young adulthood, marriage, ``citizenship and leadership,'' and old age. For much of the material, Bennett foraged in turn-of-the-century schoolbooks. But there are also excerpts from such writers as Oscar Wilde, Anton Chekhov, Mark Twain, and even Raymond Carver and inspiring letters from the likes of Thomas Jefferson, Robert E. Lee, and George Washingtonthe last a general order against the use of profanity. From Native Americans, Africa, China, Scandinavia, Greek and Roman myth, and the Bible come tales of kings and princesses, saints and social workers, and poor people who profit spirituallyand often materiallyby working hard and helping others. No one can quarrel with hard work and family loyalty as moral lodestones, but in a world where, for instance, hard work often pays off with a pink slip and family loyalty gives us a Susan Smith, the needle of the moral compass sometimes begins to swing wildly. Nevertheless, a colorful patchwork of pieces that are irresistible for bedtime reading aloud and as spurs to family discussions about whether, in the name of compassion, your offspring should bring home a naked stranger. (Literary Guild dual main selection)

Pub Date: Oct. 20, 1995

ISBN: 0-684-80313-5

Page Count: 608

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1995

Categories:

GENERAL NONFICTION

- BOOK REVIEW
OUR COUNTRY'S FOUNDERS
edited by William J. Bennett

- BOOK REVIEW
SACRED HONOR
edited by William J. Bennett

- BOOK REVIEW
BODY COUNT
by William J. Bennett & Jr. John & John P. Walters

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.