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JACK FROST

From the Guardians of Childhood series

As ever, the force of nostalgia is strong; the force of narrative, not so much.

The tale of the only Guardian of Childhood to be a child himself turns out to be hinged on battles and transformations.

With flights of baroque fancy in both language and art, the story opens with Nightlight, oath-bound protector of the rotund lad who would become the Man in the Moon, locked in “fierce and valiant” battle with would-be kidnapper Pitch, the Nightmare King. The long, recuperative sleep that follows changes Nightlight to Jackson Overland Frost—a wild, lonely spirit who wanders the Earth spreading winter until the rescue of a family of errant children gives him fresh purpose: to protect not just one child, but all of them, “For they are all that I have, all that I am, / And all that I will ever be.” An elfin, slender figure in tight trousers and a stylish hoodie, his tousled silver locks in definite need of a trim or at least a comb, Jack seems to have stepped from some manga to pose theatrically amid late-autumnal sprays of mist and dramatic, cloudy curlicues. Nonetheless, the children’s elegant, Edwardian dress and references to a lost Golden Age in the mannered narrative intensify the retro atmosphere common to this series.

As ever, the force of nostalgia is strong; the force of narrative, not so much. (Picture book. 6-8)

Pub Date: Oct. 27, 2015

ISBN: 978-1-4424-3043-3

Page Count: 48

Publisher: Atheneum

Review Posted Online: July 26, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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HOW TO CATCH A GINGERBREAD MAN

From the How To Catch… series

A brisk if bland offering for series fans, but cleverer metafictive romps abound.

The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.

Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.

A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)

Pub Date: Aug. 3, 2021

ISBN: 978-1-7282-0935-7

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: July 26, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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WAITING IS NOT EASY!

From the Elephant & Piggie series

A lesson that never grows old, enacted with verve by two favorite friends

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 4, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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