by William L. Beigel ‧ RELEASE DATE: May 16, 2019
A moving tribute to fallen soldiers and their survivors.
Awards & Accolades
Our Verdict
GET IT
Beigel tells the story of the American government’s efforts to bring home the country’s World War II dead in this nonfiction debut.
Of all the nations that participated in World War II, only the United States repatriated its war dead. This is now commonplace, but at the time, it was an unprecedented logistical feat, intended to bring closure to the families of those who lost their lives in overseas conflicts: “In many cases, the recovery and return of the remains happened five years or more after their deaths,” writes Beigel in a preface, adding that “The time, effort, and national treasure spent to repatriate the war dead of the United States…is utterly unique in the annals of global history.” Beigel is a professional researcher who’s investigated the deaths and burials of over 2,000 American service members on behalf of their relatives, and in this book, he tells the largely unknown story of how the “Return of the World War II Dead Program” came about. He includes excerpts from the letters of grief-stricken mothers and contemporary newspaper reports that show the growing public demand for bringing the soldiers’ bodies home. In the book’s second half, Beigel goes into the stories of individual soldiers, describing how they were killed, the feelings of their families, and the struggles of military officials to deliver on their promises. Beigel’s prose is clean and concise throughout. His tone is often quite sentimental, but he still manages to tell soldiers’ stories with poise: “He was buried on the twelfth of July in a very small cemetery located on the road from St. Croce, Camerina, northwest one-half mile. Sergeant Drullinger was laid to rest between two of his fellow soldiers from F Company, both, by chance, small-town Oklahomans.” The words of the parents themselves are even more affecting; for example, here’s the father of Sgt. David Wilson, who feared that the Army hadn’t kept track of his son: “We realize that he was just a common G.I. and rated very low with the army. But he was very dear to us and our only son, so you can see how we would appreciate some detailed information.” Overall, the book provides a clear window into an operation that most Americans will likely know little about. Readers will also be left with a great feeling of respect for the importance of ritual when dealing with the deceased. One particularly difficult situation involved Maj. Frederick Koebig and 1st Lt. Anthony Kuhn, two bomber crewmen who survived the crash of their plane only to be captured by the Japanese in the South Pacific. They were killed when their prison camp was unintentionally bombed during an Allied raid, then cremated by the Japanese and placed in a box along with the ashes of 27 other American and Australian prisoners. Nevertheless, the U.S. military found a way to bring them home in a manner that was respectful to all the men with whom they were interred.
A moving tribute to fallen soldiers and their survivors.Pub Date: May 16, 2019
ISBN: 978-1-73361-250-0
Page Count: 248
Publisher: Midnight to 1 Am
Review Posted Online: Aug. 23, 2019
Kirkus Reviews Issue: Oct. 1, 2019
Review Program: Kirkus Indie
Share your opinion of this book
by Elijah Wald ‧ RELEASE DATE: July 25, 2015
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
Share your opinion of this book
More by Elijah Wald
BOOK REVIEW
by Elijah Wald
BOOK REVIEW
by Elijah Wald
BOOK REVIEW
by Elijah Wald
More About This Book
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
Share your opinion of this book
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.