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GANDHI

Name: GANDHI
Author: William L. Shirer
ISBN: 0671461478

A MEMOIR

by William L. Shirer ‧ RELEASE DATE: Jan. 1, 1980

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As a young foreign correspondent, Shirer reported briefly on Gandhi—but the year was 1931, when India's struggle for independence peaked and Gandhi scored perhaps his greatest political success. So, though Shirer's memoir is inflated with Talks on India and Thoughts on Gandhi, and freighted with vituperations against the British, it also recaptures the novelty of his approach and the magnitude of his appeal. The year before, he had led a 200-mile march to the sea to pick up a lump of salt—a violation of the British salt tax; and this symbolic act (like—he reminds Shirer—the Boston Tea Party) had propelled the Indian masses into nonviolent civil disobedience on a large scale. To check its spread, Gandhi had been arbitrarily imprisoned. Now he was out of prison and negotiating with the British viceroy: if Gandhi would call off the civil-disobeience campaign and attend an upcoming London conference, the British would make concessions too. These, however, were so limited and vague that many Indian nationalists regarded Gandhi's agreement as a sell-out; but Shirer underlines history's judgment of its wisdom with Gandhi's own words. More importantly, he notes, the British had finally been forced "to deal with an Indian leader as an equal." Along these lines, Shirer also witnessed British discomfiture at Gandhi's arrival—complete with loin cloth, spinning wheel, and goat's milk—at echt-colonial Simla; he saw the sensation Gandhi caused in London—and heard him address Lancashire millhands thrown out of work by the Indian boycott of British cotton. And he saw him at home, subsisting on four-hours' sleep and "frenzied acclaim." None of this is new; some of it is blinkered, some is extraneous; but enough of it is vivid to impress upon latecomers the worldwide force of Gandhi's example.

Pub Date: Jan. 1, 1980

ISBN: 0671461478

Page Count: 265

Publisher: Simon & Schuster

Review Posted Online: May 23, 2012

Kirkus Reviews Issue: Jan. 1, 1980

Categories:

GENERAL NONFICTION

- BOOK REVIEW
'THIS IS BERLIN'
by William L. Shirer

- BOOK REVIEW
LOVE AND HATRED
by William L. Shirer

- BOOK REVIEW
20TH CENTURY JOURNEY
by William L. Shirer

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.