Just in case you miss the point on your own, Jon caps his wild tale with a homily about how the whole country is living on...
Twenty-five years after three teenagers swiped over $1 million from their neighborhood drug dealer, it’s suddenly payback time.
Jonathon Willing hasn’t been close to his friends Augie and Ben for a long time. But the three phone each other every Tuesday, mostly to make sure they’re all still alive. One Tuesday, Augie doesn’t answer his phone, and Jon flies out to Vegas to find out why not. It’s the best of all possible reasons, of course, and it would probably spell imminent danger even if Jon weren’t dumb enough to answer Augie’s telephone while he’s standing over the corpse. From that moment on, the life Jon’s constructed for himself—his business as a lately unemployed mortgage broker, his upscale tract house in a Virginia suburb, his nodding acquaintance with his wife, Caitlin, and his children Shelby and Eric—is over, and he’s a man on the run. The precautions Jon takes to prevent Clevenger, the man who killed Augie, from tracing him back home prove pitifully inadequate, and his 1,000-mile lead over his dogged pursuer keeps getting slimmer and slimmer. This is exciting stuff, but it would be even more exciting if this stand-alone from the creator of Philadelphia lawyer Victor Carl (A Killer’s Kiss, 2007, etc.) didn’t feel the need to provide a long flashback reviewing the six years that led up to Augie, Ben and Jon’s initial harebrained scheme and if everyone Jon asked for help, from Jon’s ex-girlfriend to the grandfather from whom he’s long been estranged to the neighborhood kid whose scary brother the trio first ripped off, weren’t so eager to tell the story of his or her life.
Just in case you miss the point on your own, Jon caps his wild tale with a homily about how the whole country is living on borrowed money, just like him, and the reckoning looms for us all. Makes you think.Pub Date: May 14, 2013
ISBN: 978-1-611099355
Page Count: 506
Publisher: Thomas & Mercer
Review Posted Online: Oct. 8, 2017
Kirkus Reviews Issue: April 15, 2013
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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