The long-awaited return of Heat-Moon, whose bestselling Blue Highways (1983) ranged far and wide on the byways of America, offers a memorable view of the American heartland—in the form of a splendid survey/view of a single Kansas county, the location of the last remaining expanse of tall-grass prairie. Through hundreds of vignettes and thumbnail sketches, constituting a meticulous examination of the hills and households of rural Chase County, Heat-Moon lays down a fascinating grid of interlocking experiences gathered over a five-year period. Each section of the book starts with materials from the author's ``commonplace book,'' in which relevant passages taken from 19th- and 20th-century ruminations on the American West and Kansas prepare the thematic ground for the material to follow. Facts, observations, chance encounters, and personal detail intermingle superbly in a unique travelogue, as both the ``countians'' and the many facets of their world are revealed and transformed by gentle metaphysical speculations. Feminist cafÇ-owners and retired limestone cutters give of themselves in their own words, while discussions of prairie soil and Osage oranges, recent native history, and distant geologic events enrich the human connections. One samples these offerings as easily as one might ramble through the stacks of a well-stocked, highly personalized library, effortlessly acquiring in the process more information than seems possible about the American experience. Rewarding and restless, evocative in its parts and deeply resonant as a whole, this is a strong successor to Blue Highways, establishing Heat-Moon as a master chronicler in the grand tradition. (Maps and drawings.)
Pub Date: Oct. 23, 1991
ISBN: 0-395-48602-5
Page Count: 480
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1991
BOOK REVIEW
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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