A fictionalized walking tour of New York's Chinatown at the time of the New Year celebration, conducted by a young Chinese- American boy and his grandmother. Together they make their way through the crowded, colorful streets, into shops and restaurants, and past street vendors. They watch the traditional New Year's Day parade and lion dance, and wish each other ``Gung hay fat choy.'' Low's full-bleed oil paintings glow with red, gold, green, and turquoise; as is true of Low's work for Elaine Moore's Good Morning, City (1995), the pages are full of atmospheric lighting effects, as when morning sun first strikes the upper stories of the buildings, then streams through a window into the dark, dusty interior of an herbal shop, or when flames leap beneath a huge restaurant wok, or firecrackers spark and jump about the great tossing head of the New Year's lion. Readers will enjoy comparing Low's paintings with some similar scenes (roasted ducks hanging in a restaurant window, an open-air fishmonger, youngsters training in a kung fu studio, the squat black drum and colorful banners in the parade) photographed by Martha Cooper for Kate Waters's Lion Dancer (1990). (Picture book. 4-8)
Pub Date: Sept. 1, 1997
ISBN: 0-8050-4214-8
Page Count: 32
Publisher: Henry Holt
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 1, 1997
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This frenetic ode to fatherhood is predictable fare but may please series fans.
It’s time to look for the elusive Daddysaurus.
In this latest installment in the seemingly never-ending series about a group of diverse kids attempting to trap mythical creatures, the youngsters are now on the lookout for a big mauve dinosaur with an emblazoned D on his stomach and a superhero cape. The fast-moving Daddysaurus is always on the go; he will be difficult to catch. Armed with blueprints of possible ideas, the kids decide which traps to set. As in previous works, ones of the sticky variety seem popular. They cover barbells with fly paper (Daddysaurus like to exercise) and spread glue on the handle of a shovel (Daddysaurus also likes to garden). One clever trick involves tempting Daddysaurus with a drawing of a hole, taped to the wall, because he fixes everything that breaks. Daddysaurus is certainly engaged in the children’s lives, not a workaholic or absent, but he does fall into some standard tropes associated with fathers. The rhyming quatrains stumble at times but for the most part bounce along. Overall, though, text and art feel somewhat formulaic and likely will tempt only devotees of the series. The final page of the book (after Daddysaurus is caught with love) has a space for readers to write a note or draw a picture of their own Daddysaurus. (This book was reviewed digitally.)
This frenetic ode to fatherhood is predictable fare but may please series fans. (Picture book. 4-8)Pub Date: April 1, 2023
ISBN: 978-1-72826-618-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
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