by William Manchester ‧ RELEASE DATE: Nov. 25, 1968
Even the Germans who are antagonistic to Krupp are up in arms about Manchester's book which tells presumably all-from the first Krupp (circa 1500) "a shrewd chandler with a keen eye for the main chance," through the family's incarnation by the sixth generation as "Essen's uncrowned kings," to the powerful weapons empire that armed Germany for three major wars, and finally the dissolution of die Firma. Manchester slants his story; in this case, the Krupps are all malevolent. The "killing power" of the kruppsche wares (cannon, howitzers, batteries, finally, nuclear power) was unrivaled as early as 1880, and in Manchester's view their product suited the family's temperament. He does differentiate between the various Alfreds, Alfrieds, and Berthas—but shows every member with some unfortunate trait. Their way of life is "secretive," their huge empire "international," their tendency is toward cartels, and their appearance is "vulpine." The foxy family's most "phenomenal" habit, however, was that "of matching the Teuton mood" —i.e. they were nationalistic, Francophile, or severely militaristic when Germany adopted these stances. But Manchester doesn't quite make it clear whether he is charging them with fierce patriotism or whoring. The Book is the December Literary Guild selection, but one wonders how many readers will get through the nearly 1000 pages which alternate between pedantry and appropriately leaden prose.
Pub Date: Nov. 25, 1968
ISBN: 0553131494
Page Count: -
Publisher: N/A
Review Posted Online: Jan. 4, 2013
Kirkus Reviews Issue: Nov. 1, 1968
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by William Manchester and Paul Reid
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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