Even the Germans who are antagonistic to Krupp are up in arms about Manchester's book which tells presumably all-from the first Krupp (circa 1500) "a shrewd chandler with a keen eye for the main chance," through the family's incarnation by the sixth generation as "Essen's uncrowned kings," to the powerful weapons empire that armed Germany for three major wars, and finally the dissolution of die Firma. Manchester slants his story; in this case, the Krupps are all malevolent. The "killing power" of the kruppsche wares (cannon, howitzers, batteries, finally, nuclear power) was unrivaled as early as 1880, and in Manchester's view their product suited the family's temperament. He does differentiate between the various Alfreds, Alfrieds, and Berthas—but shows every member with some unfortunate trait. Their way of life is "secretive," their huge empire "international," their tendency is toward cartels, and their appearance is "vulpine." The foxy family's most "phenomenal" habit, however, was that "of matching the Teuton mood" —i.e. they were nationalistic, Francophile, or severely militaristic when Germany adopted these stances. But Manchester doesn't quite make it clear whether he is charging them with fierce patriotism or whoring. The Book is the December Literary Guild selection, but one wonders how many readers will get through the nearly 1000 pages which alternate between pedantry and appropriately leaden prose.
Pub Date: Nov. 25, 1968
ISBN: 0553131494
Page Count: -
Publisher: N/A
Review Posted Online: Jan. 4, 2013
Kirkus Reviews Issue: Nov. 1, 1968
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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