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HEAD IN THE CLOUD

WHY KNOWING THINGS STILL MATTERS WHEN FACTS ARE SO EASY TO LOOK UP

The book reads like an extended game of Trivial Pursuit, featuring some who play very well and many more who play very...

The story of the dumbing-down of the American brain, as we have all become increasingly dependent on letting our computers think for us.

This breezy, pop-research overview of the decline of basic knowledge in the age of information overdrive could provide plenty of nuggets for journalists and hand-wringers over how many more millennials are familiar with the Kardashians than Descartes and can’t name a single South American novelist or locate most African countries on a map. So what? Whatever we need to know, we can Google, right? While Poundstone (Rock Breaks Scissors: A Practical Guide to Outguessing and Outwitting Almost Everybody, 2014, etc.) is careful not to confuse correlation with causation, he suggests that, where general knowledge is concerned, “high scores correlate with high income, good health, and sometimes other positive attributes” (including happiness, in some studies). In a voting democracy, it’s sad to note that little more than a third of Americans can name the three branches of government and that some of those with the strongest reservations about immigration, global warming, or evolution are among the least knowledgeable in general. However, Poundstone’s primary tone is less alarmist than amusing, since it’s clear that he’s including all of us among those who could stand to know more than we do. As he heads one section, “True or False: You and Everyone You Know Are Idiots.” Some of the author’s ways of determining knowledge or lack thereof can seem, as he describes some of his results, “arbitrary and puzzling.” For example, one chapter seems to equate knowledge with recognizing historical portraits and says that it’s quite possible that those who don’t recognize a photo of Bach (“about half of the American public”) might well be familiar with his music. (Though perhaps it's more remarkable that even half of Americans surveyed recognize a photo of Bach.)

The book reads like an extended game of Trivial Pursuit, featuring some who play very well and many more who play very poorly.

Pub Date: July 19, 2016

ISBN: 978-0-316-25654-4

Page Count: 336

Publisher: Little, Brown

Review Posted Online: April 18, 2016

Kirkus Reviews Issue: May 15, 2016

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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