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THE CRANE DANCE

TAKING FLIGHT IN MIDLIFE

A rambling account offers support and intriguing coping techniques for men suffering from clinical depression.

A debut author intimately explores his midlife struggle to confront a low-grade depression that allowed him professional and personal success but prevented him from experiencing joy.

In 1988, at age 41, Finger lost his job with the North Carolina Study Commission on Aging, finding himself in a psychologically downward spiral that threatened to overwhelm him and his family. He had suffered from periods of depression before, but had always plowed through, using school, Peace Corps participation, work, and family responsibilities to keep his mind focused. But this time, although he began picking up assorted writing/consulting projects, he couldn’t seem to move past a growing sadness that caused him to draw further into himself: “The transitions in my life, both large and small, have triggered what I have learned are symptoms of depression—worry, lack of hope, workaholism, irritability, and sleeplessness.” A men’s support group that he joined before the firing had been offering activity-oriented workshops; Finger decided to give them a try. It was the beginning of a decadelong journey to self-discovery. He sought help through traditional treatment (psychotherapy and Prozac) and learned to express his emotions through modern dance. Finger brings readers through every step of his personal revelations and progressions, be they detailed reporting of symbolic dreams, poems written to celebrate workshop occasions, or the dances he choreographed, described movement by movement. He writes: “I start doing little crane dances to accent my long, thin arms as huge wings, my hands bent at the wrist, fingers pointing down. My lean legs, balancing on one and then the other, complement the picture. Bending my left knee, I pick my right leg up. Then, I raise my forearms up, fingers pointing to the sky.... I try to call up the crane within me and remember that survival is possible.” The prose is polished, often poignant, displaying an engaging honesty. But less would have been more when it comes to Finger’s exhaustive mental meanderings through his memories and self-analysis.

A rambling account offers support and intriguing coping techniques for men suffering from clinical depression.

Pub Date: July 20, 2016

ISBN: 978-0-9965875-0-1

Page Count: 296

Publisher: JourneyCake Spirit

Review Posted Online: July 19, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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