by William Redfield ‧ RELEASE DATE: Feb. 21, 1966
Mr. Redfield was involved in one of the momentous events of recent Broadway history: the production of the Sir John Gielgud-Richard Burton Hamlet. And these letters written quite candidly with an eye to publication, are not the usual post-closing notice memoir or lament. They do relate the trials and tribulations of the rehearsal stages from an actor's point of view with all his vulnerability, frustrations, doubts and special insight. Fortunately Mr. Redfield has a great deal of wit and charm and a reckless ego. He doesn't hesitate to comment when he feels strongly: ""As an actor, Brando must be either forgotten or fondly remembered."" Neither was he particularly pleased with the eminent Sir John's direction or Mr. Burton's interpretation let alone his own handling of the role of Guildenstern. But this tale of massive talents in conflict or striving to connect with one another is handled with unusual facility and perception. You feel you really have gotten to know the cast of characters right up to the point where Burton hears his first Boo and goes home to kick in the television set. There are also some fascinating anecdotes about the English theatre and in particular, Laurence Olivier. A fine performance, Mr. Redfield.
Pub Date: Feb. 21, 1966
ISBN: N/A
Page Count: -
Publisher: Viking
Review Posted Online: N/A
Kirkus Reviews Issue: Feb. 1, 1966
Categories: NONFICTION
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.