by William Safire ‧ RELEASE DATE: June 1, 2003
He coulda been a crank, but as he strains “to show how language illuminates The Meaning of Life,” he pulls at mischief...
After a quarter-century, wordmeister Safire (Spread the Word, 1999, etc.) continues to pick happily at the knots of grammar and usage.
Looking to “satisfy the slavering etymological urge in roots-deprived readers,” Safire takes us on an extended—there are hours of word-pleasure here—and clever tour. These selections from his New York Times Magazine “On Language” column are as gratifying here as in their periodical form in hacking away at crappy grammar and word use. Barbs, often personal, are thick and heavy: “What’s a myrmidon?” Safire ingenuously asks in relation to a fellow scribe’s column—when what he really wants to do is poke a sharp stick in the eye of the magniloquent columnist. He lays siege on the “evanescent village of teen slang,” bestows Bloopies for copyediting gaffes, and introduces such gems as “eyeball hang time.” He gives euphemisms the thrashing they deserve, as in the case of “faith-based” when what the writer means is “religion-based”: “After all, virtually all of us have faith in something or other.” Safire admits it when a rule, even a New York Times style-manual rule, is fallible: “O.K., so our rule doesn’t always work. But it usually does, and if we did away with rules, how could language mavens ever correct anybody?” And we applaud his courage for running his own grammar out on the laundry line for all to see and critique, and then for printing the zippy responses from his readership, be they correcting his usage—he made a hash of “cement” and “concrete”—or his ill-veiled agendas (from Stephen Sondheim: “Like his fellow reactionaries, he’s an unregenerate pork-barreler: He attaches his views, no matter how irrelevant, to anything that moves”). Now that’s an effective piece of rhetoric, yet Safire manages to lure Sondheim back to his own language camp.
He coulda been a crank, but as he strains “to show how language illuminates The Meaning of Life,” he pulls at mischief rather than beards, and laughs all the way to the OED.Pub Date: June 1, 2003
ISBN: 0-7432-4243-2
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2003
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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