by William Safire ‧ RELEASE DATE: Nov. 1, 1999
The 11th volume of the cunning linguist’s New York Times Magazine “On Language” columns. Safire is more than a witty journalist covering grammar and usage, as his fiction (Sleeper Spy, 1995) and nonfiction (The First Dissident, 1992) attest. The Pulitzer-winning political pundit fuses politics and linguistics when discussing “the need to reject the no-longer-pertinent language of the cold war.” In high-ranking Washington company, Safire hears America’s newly global policies described as “enlargement,” but he prefers the less pathological “engagement.” He wonders whether pundits should call pro-Communist Russians left- or right-wingers. Elsewhere, his research outflanks a writer who deems the term “philistine” insensitive to Palestinians. Most of the book celebrates language for its own sake. Only Safire could contemplate the hole of a doughnut thus: “Where was I? Yes. Where is the toroidal quality in a nut? (Only a few moments ago, you would not have understood that question).” The reader soon confronts holey bagels and Life Savers, as well as a dunk into the etymology of the donut (a legitimate variant, we’re told). Much of the fun of reading Safire’s mail is the many “incorrections,” or inaccurate corrections. With an ear to pronunciation, we learn that some say “PRAH-sess,” while the more logical Brits say “PROH-sess.” Quoting from TV Guide, Roseanne, or Hillary Clinton, Safire champions spoken language and attacks politically correct atrocities, like one that would turn zoos into Wildlife Conservation Parks. Not that Safire is opposed to new coinages. These articles are mad with serious and invented neologisms like “Pun jab” and new definitions, such as “news junkies” as “consumers of junk food for thought.” In 20 years on the language beat, Safire has waged a delightful battle for correct but common English, taking on its petrifaction with such defiant phrases as: “You’d think the Brits invented it.”
Pub Date: Nov. 1, 1999
ISBN: 0-8129-3253-6
Page Count: 276
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2000
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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