Agee (Milo’s Hat Trick, 2001, etc.) illustrates this comic take on the course of true love never running smooth with clownish flair. Short, jolly Potch meets beanpole Polly Pumpernickel at a costume ball and falls head over heels. So does Polly, when he accidentally tosses her into a fountain. Potch’s hilariously clumsy efforts to patch things up only annoy Polly more until she hears his guardian angel (who comes complete with an orange wig and bulb nose) advising him to give it up, as “ ‘Polly Pumpernickel will never understand your kind of love.’ ” Shortly thereafter, Potch receives a large gift box, out of which spins Polly. “Somewhere music started playing,” and the two are last seen dancing off to a presumably blissful future. Steig’s (Which Would You Rather Be?, p. 668, etc.) extravagant prose—“Polly thought Potch might be the daffy darling of her daily dreams. The one missing piece of her pie”—gives the essentially adult tale the air of a sophisticated valentine, but perceptive younger readers will also catch the tenderness underlying this rocky, slapstick romance. (Picture book. 7-9)
Pub Date: Aug. 30, 2002
ISBN: 0-374-36090-1
Page Count: 32
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
Nolen and Nelson offer a smaller, but no less gifted counterpart to Big Jabe (2000) in this new tall tale. Shortly after being born one stormy night, Rose thanks her parents, picks a name, and gathers lightning into a ball—all of which is only a harbinger of feats to come. Decked out in full cowboy gear and oozing self-confidence from every pore, Rose cuts a diminutive, but heroic figure in Nelson’s big, broad Western scenes. Though she carries a twisted iron rod as dark as her skin and ropes clouds with fencing wire, Rose overcomes her greatest challenge—a pair of rampaging twisters—not with strength, but with a lullaby her parents sang. After turning tornadoes into much-needed rain clouds, Rose rides away, “that mighty, mighty song pressing on the bull’s-eye that was set at the center of her heart.” Throughout, she shows a reflective bent that gives her more dimension than most tall-tale heroes: a doff of the Stetson to her and her creators. (author’s note) (Picture book. 7-9)
Pub Date: Sept. 1, 2003
ISBN: 0-15-216472-3
Page Count: 32
Publisher: Silver Whistle/Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2003
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