Not for the squeamish, certainly. Nonetheless, an intensely readable, often moving, and frequently shocking atlas of modern...
A sprawling urban epic of obsession, by one of our most ambitious (and idiosyncratic) contemporary writers.
Vollmann, in his Seven Dreams series of historical novels about the destruction of native America (The Rifles, 1994, etc.) and in his several works of fiction and nonfiction dealing with the lives of prostitutes in the modern world (The Atlas, 1996, stories; Butterfly Stories, 1993, etc.) has repeatedly demonstrated a prodigious imagination, and the ability to create memorable, if odd or obsessive, characters. But much of his work has also seemed repetitive, burdened with too many detours and authorial asides. This time out, Vollmann has brought these tendencies under control, and the result is a tale that possesses great cumulative power. The plot is relatively simple: Henry Tyler, a down-at-the-heels p.i. in San Francisco, is drawn into the search for a mythic "Queen of the Prostitutes," rumored to hold nocturnal court in the city's seedier precincts. He is still grieving for his lost love, Irene, who committed suicide. Complicating his mourning is the fact that Irene was married to John, his ferociously self-controlled brother. Henry eventually finds the self-styled Queen, but his discovery does little to relieve him of the burden of the past. John fares slightly better; there seems, at the end, at least the slender possibility that he's learned something from his disastrous marriage. The brothers are nicely complex and convincingly odd figures. But the story generates most of its considerable power from the voices of the many prostitutes Henry comes across in his quest. Their tales of addiction and abandonment, of abuse and of survival, are what makes The Royal Family memorable. Vollmann weaves their voices together with the voices of the Tenderloin's other inhabitants—drunks, anonymous johns, wanderers, hustlers—creating a haunting chorus of the lost. He also offers a precise depiction of place, capturing the darker corners of San Francisco with gritty exactitude.
Not for the squeamish, certainly. Nonetheless, an intensely readable, often moving, and frequently shocking atlas of modern degradation and despair.Pub Date: Aug. 1, 2000
ISBN: 0-670-89167-3
Page Count: 800
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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