??Wharton's previous novels—Birdy, Dad—have treated the extraordinary and the strangely angled with such quiet ordinariness that one reads this seemingly plain WW II story waiting for the catch—the resonance couched in deceptively straight-ahead language that is Wharton's strongest imaginative virtue. This time, however, there's no such twist or depth; and Wharton admirers are hound to be disappointed. The narrator here is Will Knott (called Wont by his fellows), a non-com sergeant serving in the Ardennes with a reconnaissance and intelligence platoon. The platoon has an odd pedigree, being made up of super-bright high-school boys originally slated to be reservists held back home to fill the war-depleted professions. But shortages made them draftable—and now, despite sharp brains, they face having them possibly blown out; bridge players, they guard deserted French chateaux instead. Still, their above-the-norm intelligence does make them open to clever solutions to otherwise deadly problems. For instance, and at the novel's center, there's the appearance of a German platoon that seems to want to mock Wont's squad rather than massacre them: the Germans set up soldier corpses—German and American—in dance positions; they sing carols, leave scarecrows, even erect a makeshift Christmas tree. The Germans, scared and beaten, want out, the American squad realizes; through eerie symbols they're communicating their readiness for surrender. And this mini-truce almost comes off—but mistakes and nerves doom it, plunging everyone back into the violence of "normal" war. As beguiling as the idea of masquerade-within-carnage is, however, Wharton never seems to do more than feather its edges: there's a distressing lack of momentum or development here. And though the intellectual precociousness of the young G.I.s (and their terrible fear) is well done, it's not enough to hold this fragile novel together. So, even if Wharton's narrative voice remains so warmly inviting and unpretentious that you can't help but be carried along, this time the journey has a scattered destination: experience reflected in bits and pieces of mirror rather than in a ceiling of glass (Bird) or a whole interior room of it (Dad).
Pub Date: Sept. 10, 1982
ISBN: 1557042578
Page Count: 260
Publisher: Knopf
Review Posted Online: Jan. 1, 2012
Kirkus Reviews Issue: Sept. 1, 1982
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
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