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SHOW WORLD

The story of a hopeful young woman’s disillusioning descent through the worlds of academe, politics, and film makes for a curious hybrid that falls awkwardly between the romantic comedy of Barnhardt’s ingratiating first novel (Emma Who Saved My Life, 1989) and the baroque overkill that flattened his second (Gospel, 1993) Samantha Flint (whose notebooks record her story) arrives at Smith College in 1978 from Missouri, a self-conscious thorn among the pampered, whiny roses whose company she seeks. Sam plans to write “the Great American Working Woman’s Novel,” but instead drifts into the orbit of flamboyant “Mimi” Mohr, a go-getter who—ll eventually prosper as a “manager” of movie stars’ careers. After college, Sam works for a moderate Republican Senator, then joins the staff of his calculating reactionary colleague (whom she double-crosses when the sleazy Senator Shanker uses his son’s suicide for political gain). Just ahead are flings with alcohol, psychoanalysis, marriage to a “gay boytoy” actor who’s done in by his fondness for “kinky sexplay,” and exploratory lesbian sex—all as part of a numbed quest for “something passionate that would obliterate the drudgery, the wearisome effort her life had become.” Barnhardt’s prose seldom rises to subtler or more specific levels, and his lumpy plot unwisely evokes memories of both Candy and Valley of the Dolls; Sam isn’t a sufficiently credible or interesting character. There are clever inventions (the lyrics to the hit single “Inside You” are a rude treat) and a few vivid scenes (Sam’s sad-funny reunion with her father, living in TV-drugged bliss with his middle-aged girlfriend at the Paradise Acres trailer park is a comic gem). But the novel takes aim at too many easy targets and never reconciles its campy melodrama with the coming-of-age story we—re prepared to expect. Barnhardt is better than this. (Author tour)

Pub Date: July 30, 1998

ISBN: 0-312-18684-3

Page Count: 288

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1998

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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