It’s not Lonesome Dove, but Groom’s Searcher’s-like rescue pursuit and his allusive homage to Treasure of the Sierra Madre...
Prolific nonfiction author Groom returns to fiction with a Western saga far different from the novel (Forrest Gump, 1986, etc.) that later blossomed into a classic Oscar-winning film.
Up-by-the-bootstraps Irish immigrant–turned–railroad baron John “the Colonel” Shaughnessy learns his ranching operation in Chihuahua, Mexico, is being threatened by Pancho Villa and his rebels. The Colonel lives extravagantly, and so his adopted son, Arthur, works hard to keep the Shaughnessy railroad afloat, and they both know losing the ranch might mean bankruptcy. Unfortunately, the overconfident Colonel turns a mission to rescue the ranch into a Shaughnessy family expedition and misjudgment that ends with Shaughnessy wives and Arthur’s children being kidnapped by Villa’s rebels. Groom casts bit parts for Gen. Pershing and George Patton, John and Ethel Barrymore, socialist journalist John Reed, Tom Mix, and the legendary Ambrose Bierce, who rides with Villa and offers sardonic observations on the haphazard revolution. Groom cranks up tension with bloody raids, bullfights, a cattle drive, and Shaughnessy’s rugged Samoan bodyguard, Bomba, in a dangerous, separate, solitary pursuit. Groom’s historical knowledge makes it all real, especially with references to oddities like isolated Chihuahuan descendants of Marrano Jews who fled the Spanish Inquisition and tragic real-life figure Henry Flipper Jr., the first African-American West Point graduate, who joins Arthur’s rescue party. Arthur and the Colonel evolve into admirable characters. Those changes are beautifully portrayed, but Groom too quickly sketches an unsatisfying conclusion for the remade Shaughnessys. There are other gaps: there’s a Shaughnessy daughter who helps young Arthur assimilate but is later dismissed in one sentence; and also the story would be improved if more were heard from the Shaughnessy wives while they await ransom.
It’s not Lonesome Dove, but Groom’s Searcher’s-like rescue pursuit and his allusive homage to Treasure of the Sierra Madre make for an entertaining Western story.Pub Date: Oct. 4, 2016
ISBN: 978-1-63149-224-2
Page Count: 480
Publisher: Liveright/Norton
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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