by Witold Rybczynski ‧ RELEASE DATE: Sept. 8, 2015
A superb book for those interested in architectural history, written in an easygoing style by a man with encyclopedic...
In this illuminating collection of essays, Rybczynski (Emeritus, Architecture/Univ. of Pennsylvania; How Architecture Works, 2013, etc.) documents the wide-ranging effects of the men who built America in the 20th century.
The title of the book is misleading, as the author explores our lives in homes, small towns, cities, and gardens, in addition to our shopping habits. The movement into and then out of the cities spawned the highway and transportation systems that enabled urban sprawl. Rybczynski puts names to the people who drove America’s growth, beginning with Fracis Turner, who ran the National Highway Program from 1954. Marshall McLuhan’s Law of Technological Second Lives suggested the importance of reusing obsolete city spaces—a good example of urban preservation is San Francisco’s Ghirardelli Square—but not all attempts to rehab unused buildings are successful. The architects whom the author calls the “Show Dogs” are winning competitions for big city museums, music venues, and libraries. Such buildings as Frank Gehry’s Guggenheim in Bilbao, Spain, I.M. Pei’s Rock and Roll Hall of Fame in Cleveland, and Sydney’s Opera House are the sought-after icons that have succeeded in bolstering their economies and bringing in tourists. Rybczynski doesn’t limit himself to architects; he also shows the vast change in landscape architecture in the 19th century under Frederick Law Olmsted. There’s an excellent piece on Arup, the structural engineering firm that Pritzker Prize winners (the Nobel Prize for architects) turn to more than any other. This all-encompassing book includes essays on post–9/11 security designs, individual homes, planned communities, and more. Rybczynski doesn’t leave out the masters, either; he examines Le Corbusier, Frank Lloyd Wright, and Andrea Palladio, the incomparable Renaissance genius whose work continues to produce endless permutations.
A superb book for those interested in architectural history, written in an easygoing style by a man with encyclopedic knowledge and an obvious great love for building.Pub Date: Sept. 8, 2015
ISBN: 978-0-374-26993-7
Page Count: 320
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 13, 2015
Kirkus Reviews Issue: June 1, 2015
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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