bookshelf

ART, DIALOGUE AND OUTRAGE

Name: ART, DIALOGUE AND OUTRAGE
Author: Wole Soyinka
ISBN: 0-679-40065-6

ESSAYS ON LITERATURE AND CULTURE

by Wole Soyinka ‧ RELEASE DATE: May 18, 1994

None

bookshelf

Nigerian Nobel laureate Soyinka offers more than 30 years' worth of rewarding essays on artistic practice and cultural politics. While he is best known in America as author of the memoir AkÇ: The Years of Childhood (1982), Soyinka first made his name as a dramatist, and many of the writings collected here concern dramatic art. These include the opening essay, which expresses Soyinka's dismay with his national theater; a longer piece, written 20 years later, that surveys modern versions of traditional West African theatrical forms; and extended considerations of Aristophanes, Euripedes, and Shakespeare. Soyinka's intriguing discussions of literature and myth include a theoretical reflection in which he forges a Nietzschean model of Yoruba tragedy, centered on his vision of ``the fourth stage, the vortex of archetypes and home of the tragic spirit.'' Most of his essays here, however, focus on broader issues of African society in the world context. In early efforts, he sensitively explores the implications for African writers of the ``common backcloth'' of primitivism against which European commentators have depicted them, yet upbraids his fellow Africans for abdicating their political responsibilities in the wake of decolonization. Later essays call for the dissolution of language boundaries through the adoption of a common African tongue, and for ``a definitive end to all forms of dictatorship on the continent.'' In perceptive essays on Western culture's ``novelty system'' and on Roland Barthes, Soyinka considers the role of the critic in society while working out his ambivalent relationship to Marxism. Soyinka's prose can be murky, and too often his ``dialogues'' with other writers amount only to obscure polemics. But while some passages may seem belabored or dated, the insight and outrage that animate the best of these essays remain salient. Soyinka's voice is indomitable, and his perspective unique; his positions should be considered carefully by anyone seeking to join the struggle for culture in the postcolonial era.

None None

Pub Date: May 18, 1994

ISBN: 0-679-40065-6

Page Count: 336

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1994

Categories:

GENERAL NONFICTION

- BOOK REVIEW
CHRONICLES FROM THE LAND OF THE HAPPIEST PEOPLE ON EARTH
by Wole Soyinka

- BOOK REVIEW
OF AFRICA
by Wole Soyinka

- BOOK REVIEW
YOU MUST SET FORTH AT DAWN
by Wole Soyinka

bookshelf

NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

bookshelf

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

bookshelf

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

bookshelf

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.