Readers with a bent for Thomas Mann and Elias Canetti will find this book a pleasure, if a somber one.
Pensive, philosophically charged novel of old age and loss.
Two principal characters occupy the pages of prolific German novelist Wondratschek’s book. The first is a writer who fades into the background to privilege the second, his subject, a Russian pianist named Suvorin living in exile in Austria. “Vienna is full of Russians,” Wondratschek writes, “young and old, living and dead, poor and rich. Seems like every time the phone rings there’s another one, man or woman, arriving or leaving for good.” Suvorin was famed in his youth for his playing, but now he is “a forgotten celebrity” who nurses memories of the horrors of World War II (“Death came, and there was no one left to explain it”) and has to take “a little family” of pills every day. The only piano he now possesses, writes Wondratschek in a subtle turn, is in his mind—and even then, only as “a place to put photos.” (Naturally, Glenn Gould comes under discussion as having been “right to quit early.”) That mind is capacious, though, and inclined to seek meaning for all the things he has seen, heard, and experienced: the meaning of a mysterious cat that sheltered the headstone of a pianist whose gravesite he traveled to Paris to visit, of courage in the face of oppression (“Just think of young Brodsky, who on top of that was a Jew!”), and, memorably, of the idea of perfection, something known to a skilled carpenter, a soccer player, a mathematician, but elusive to the demanding Suvorin. Wondratschek’s layered narrative reflects on language, art, politics, and history, and though nothing much happens in it, there is plenty to think about. Wondratschek even sneaks in a few jokes through his two interlocutors, as when Suvorin writes to a daughter: “If it can be avoided, [the postcard] says, don’t marry an American.”
Readers with a bent for Thomas Mann and Elias Canetti will find this book a pleasure, if a somber one.Pub Date: Sept. 1, 2020
ISBN: 978-0-374-26049-1
Page Count: 224
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 16, 2020
Kirkus Reviews Issue: July 1, 2020
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.
Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.
Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.Pub Date: Sept. 24, 2024
ISBN: 9780374602635
Page Count: 464
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
PERSPECTIVES
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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