It’s bizarre, wacky, and broad—but highly entertaining, especially for fans of the Vonnegut/DFW school of the absurd.
A beguiling, idiosyncratic exercise in postmodern bafflement by the late artist/novelist Herrndorf (Why We Took the Car, 2014, etc.), awarded the Leipzig Book Fair Prize for it in 2012.
Somewhere along the coastal desert of northwestern Africa—Herrndorf isn’t specific, but it’s a former French colony, so perhaps Mali—four disaffected foreigners living in a commune have been killed in a murder whose payoff is a basket of fruit and a wicker suitcase full of an unknown currency. The case draws attention: There’s an American woman “best seen from afar”—no surprise that her last name and hotel room add up to the moniker of a far-distant star—and a Swedish double agent with nuclear secrets to sell. Then there are two cops assigned to the case, one of them a Frenchman who took the gig to get away from a girlfriend in Paris and who “didn’t have a clue about Africa.” He worries that he doesn’t have a clue about much of anything, since he scored lower on an intelligence test than his partner, who’s dumb enough to bring about his own demise thanks to a miscalculation having to do with the political influence of the prime suspect. Then there’s the guy whose head was bashed in and wanders in from the desert, an amnesiac, apparently well connected enough to international plots of derring-do that the Stasi, the CIA, and a sinister pseudo-psychiatrist are after him. Electrical shocks ensue, whereupon the amnesiac “talked about everything he knew, and he talked about the things he didn’t know, too.” In this rollicking shaggy-cum-sandy dog of a tale, no one knows much of anything, save that the badder the bad guy the more reliable the information. Herrndorf, it seems, had trouble deciding what this story would be—a satire? a spy novel? a thriller? Suffice it to say that if you mashed up the Ian Fleming of Casino Royale with Tin Drum–era Günter Grass and threw in a little Paul Bowles for leavening, you might get something approaching this concoction.
It’s bizarre, wacky, and broad—but highly entertaining, especially for fans of the Vonnegut/DFW school of the absurd.Pub Date: June 19, 2018
ISBN: 978-1-68137-201-3
Page Count: 464
Publisher: New York Review Books
Review Posted Online: April 2, 2018
Kirkus Reviews Issue: April 15, 2018
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
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