Maggie is spending her holiday with her parents and her stuffed tiger at the sea, but her parents' idea of a good time is relaxing for hours in the sun, and her tiger is not really made for water sports. Maggie is left to her own devices. For a while she occupies herself making sand castles and collecting shells, but she is lonely. Then one day Maggie finds Mia the cat, who becomes her summer playmate. Every morning, without fail, she is there on the beach when Maggie arrives. But one day Mia is nowhere to be found. Maggie frantically searches for her friend, and it occurs to her that Mia must be near the fishing boats. Sure enough Mia has stowed away on one of the boats and is now returning to the dock on its prow. Mia sees Maggie and excitedly jumps towards her. She lands in the water, but they fish her out. On Maggie's last day of vacation, she smuggles Mia into her parents' car. Maggie's mother asks innocently about the cat as Maggie and her father share a secret wink and Mia purrs her contentment. An appealing story for young animal lovers from HÑnel (Lila's Little Dinosaur, p. 1530). (Fiction. 7-9)
Pub Date: Dec. 1, 1994
ISBN: 1-55858-314-9
Page Count: 48
Publisher: NorthSouth
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1994
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
Strong rhythms and occasional full or partial rhymes give this account of P.T. Barnum’s 1884 elephant parade across the newly opened Brooklyn Bridge an incantatory tone. Catching a whiff of public concern about the new bridge’s sturdiness, Barnum seizes the moment: “’I will stage an event / that will calm every fear, erase every worry, / about that remarkable bridge. / My display will amuse, inform / and astound some. / Or else my name isn’t Barnum!’” Using a rich palette of glowing golds and browns, Roca imbues the pachyderms with a calm solidity, sending them ambling past equally solid-looking buildings and over a truly monumental bridge—which soars over a striped Big Top tent in the final scene. A stately rendition of the episode, less exuberant, but also less fictionalized, than Phil Bildner’s Twenty-One Elephants (2004), illustrated by LeUyen Pham. (author’s note, resource list) (Picture book. 7-9)
Pub Date: Sept. 26, 2005
ISBN: 0-618-44887-X
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2005
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