A well-crafted tale of a person who forges ahead amid heartbreak and war.
Chang offers a debut historical novel about the extraordinary transformation of a Korean woman and her country.
In 1946, the inquisitive, forward-thinking 19-year-old Sonju holds onto the hope of “living a modern life” by continuing her education and marrying childhood friend Kungu, whom her parents find unsuitable. Although she dreams of being “equal partners” in a marriage in which both partners have “equal voice,” it quickly becomes clear that her future will be different, as her parents arrange a marriage to a stranger. Her new husband lives in Maari, a strictly traditional village; it takes time for Sonju to adjust to married life in a large extended family, but she grows fond of her sister-in-law and comes to have a tolerable relationship with her husband. Her life is irrevocably changed when she has a daughter, Jinju; just as South Korea moves toward independence from Japan, Sonju vows to raise Jinju as an independent girl, giving her “freedom to explore possibilities.” Sonju also begins to teach local women how to read and write. But as the Korean War breaks out, her dreams for her future are threatened. She and her daughter evacuate but aren’t spared from witnessing horrors of war: “limp bodies reduced to animal flesh, reeking animal stench.” After the war, her marriage unravels after a great loss, and she eventually returns to Seoul, where she rekindles her love for Kungu. Soon, though, she must begin anew once again. Throughout this novel, Chang uses Sonju’s life as a metaphor for the cultural upheaval of Korea in the mid-20th century. She successfully crafts a fully formed protagonist with singular strength and determination, and her prose is measured and thoughtful. She’s particularly adept at conveying emotion through everyday, domestic imagery that readers will appreciate, as when Sonju sadly contemplates the “valleys and mountains” made by the fabric of her wedding gown, mourning days of freedom with her childhood friends; at another point, during her melancholy introduction to her husband’s family home, she notices how the “freshly applied wallpaper with light pink flowers seemed overly hopeful.”
A well-crafted tale of a person who forges ahead amid heartbreak and war.Pub Date: July 16, 2021
ISBN: 978-1-94-869258-8
Page Count: 290
Publisher: Madville Publishing
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: Aug. 15, 2021
Review Program: Kirkus Indie
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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