Surreal but fascinating, visually jazzy but conceptually cryptic, this will work for older readers who like primary colors,...
A red-hoodie–sporting, upright-standing bird (or possibly weasel) named Coppernickel (Coppernickel: The Invention, 2008) and his diminutive pet dog follow artist Piet Mondrian though a progression of changes in their setting, time period and bodies.
Quickstep (aka Mondrian), who has a full beak and approximates an upright-standing bird more than Coppernickel does, “is looking for the future.” Coppernickel presumes that “If you just wait, the future will arrive anyway,” but Quickstep disagrees: “[I]f we stand around waiting, nothing will change…. Things will only get older. I’m looking for the new.” Quickstep’s dog can “smell the future” and they’re off. Left-hand trees mimic Mondrian’s early organic naturalism; as Coppernickel (pursuing Quickstep) traverses a horizontal landscape scroll, the trees shift subtly into roadside telegraph poles—or late-Mondrian grid-style trees. Coppernickel reaches a packed, bustling city. Gorgeous tiny rectangles tile the subway as Mondrian’s famous primary colors and grid patterns begin to dominate. Composition varies dynamically; the scene moves from city blocks to Mondrian’s spare 1940s apartment. Music emerges from a turntable in lively primary-colored rectangles, becoming Mondrian’s famous painting Victory Boogie Woogie, and even the four characters end up geometrically stylized.
Surreal but fascinating, visually jazzy but conceptually cryptic, this will work for older readers who like primary colors, geometric art or the philosophical notion of the future. (author’s note) (Picture book/art. 7–10)Pub Date: May 14, 2012
ISBN: 978-1-59270-119-3
Page Count: 40
Publisher: Enchanted Lion Books
Review Posted Online: March 27, 2012
Kirkus Reviews Issue: April 15, 2012
BOOK REVIEW
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
An uncomplicated opener, with some funny bits and a clear but not heavy agenda.
Hank Zipzer, poster boy for dyslexic middle graders everywhere, stars in a new prequel series highlighting second-grade trials and triumphs.
Hank’s hopes of playing Aqua Fly, a comic-book character, in the upcoming class play founder when, despite plenty of coaching and preparation, he freezes up during tryouts. He is not particularly comforted when his sympathetic teacher adds a nonspeaking role as a bookmark to the play just for him. Following the pattern laid down in his previous appearances as an older child, he gets plenty of help and support from understanding friends (including Ashley Wong, a new apartment-house neighbor). He even manages to turn lemons into lemonade with a quick bit of improv when Nick “the Tick” McKelty, the sneering classmate who took his preferred role, blanks on his lines during the performance. As the aforementioned bully not only chokes in the clutch and gets a demeaning nickname, but is fat, boastful and eats like a pig, the authors’ sensitivity is rather one-sided. Still, Hank has a winning way of bouncing back from adversity, and like the frequent black-and-white line-and-wash drawings, the typeface is designed with easy legibility in mind.
An uncomplicated opener, with some funny bits and a clear but not heavy agenda. (Fiction. 7-9)Pub Date: Feb. 14, 2014
ISBN: 978-0-448-48239-2
Page Count: 128
Publisher: Grosset & Dunlap
Review Posted Online: Dec. 10, 2013
Kirkus Reviews Issue: Jan. 1, 2014
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