The author of Shoeless Joe (1982), upon which the film Field of Dreams was based, returns with his third novel about baseball. Kinsella sets his story in 1940's Alberta, the Canadian prairie province that closely resembles the Upper Midwest in both its passion for baseball and, at least according to Kinsella, its earthy and colorful citizens. One Truckbox Al McClintock, a mechanic perpetually covered in grease, excites the locals with his ability to hit a baseball out of the park and across the river behind it. People think he might make it in the majors, but how would that be possible for an obscure Canadian? Well, there's a war on, and Edmonton has become a stop-off point for American troops building the Alaska Highway. To keep the troops happy, exhibition baseball is brought in, featuring none other than the great Bob Feller, and through contrived events Truckbox bats against him. There's not much of a story otherwise, unless it's of young Jamie O'Day's coming-of-age; he's the ``hillbilly'' narrator named after James Oliver Curwood. The account of box socials, where young men bid for lunches packed by the mothers of eligible young women, is amusing and recalls the period sweetly. So too do the Ukrainian wedding and the great, farcical game the novel moves toward. And yet the myth Kinsella trades on—that out of a Midwest full of rubes will come a great baseball player—is undercut by his desire at all costs to please, to turn everything into a joke. A kind of condescension to the material results, and McClintock or his sexy sweetheart Louisa May become caricatures. Jokes about the Minnesota weather (``nine months of winter followed by poor sledding'') are getting awfully stale, and Kinsella's stylistic trick of repeating funny adjectives (``genuine'' Cardinals or ``more-or-less-Doreen Beach Sigurdson'') seems forced. Nostalgia and lust are the appeals here, as if Garrison Keillor had gone randy. Bound to be popular—but Kinsella's formula grows thin.
Pub Date: May 30, 1992
ISBN: 0-345-37749-4
Page Count: 224
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1992
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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