An illuminating collection of perceptive, well-argued, and compelling essays.
Essayists reflect on the current state of the nation.
In keeping with the Atlantic’s goal of “debating and illuminating America’s meaning and purpose,” editor at large Murphy gathers 40 incisive essays from an impressive roster of contributors. “How did we get here?” editor-in-chief Jeffrey Goldberg asks in his introduction. “How did our politics become so appalling and dispiriting? How did a system meant to elevate the most qualified among us instead place a grifter in Lincoln’s house? How did the gaps between rich and poor, men and women, black and white, immigrant and American-born, become so profound?” The essays are grouped into four sections: the first looks at “underlying conditions of society as a whole that have been deteriorating for decades.” The second examines the failure of politics; the third covers the disastrous Trump presidency; and the last focuses on the possibility for the nation’s reinvention. Contributors consider issues such as racial inequality, cultural divides and polarization, climate change, voter suppression, the plight of undocumented immigrants, and evangelical Christians, who regard themselves, "hysterically and with self-pity, as an oppressed minority that requires a strongman to rescue it.” Former Harvard president Drew Gilpin Faust melds history with a memoir of her childhood in Virginia, “a world in which silences distorted lives, and falsehoods perpetuated structures of power rooted in centuries of injustice.” In a moving portrait of a Baltimore resident struggling with health problems, staff writer Olga Khazan sees that “America’s racist and segregationist history continues to harm black people in the most intimate of ways—seeping into their lungs, their blood, even their DNA.” Caitlin Flanagan rails against rich parents’ sense of entitlement, which she experienced firsthand as a guidance counselor at a tony prep school. Among many unsettling pieces are profiles of Newt Gingrich, Paul Manafort, Ivanka Trump, and, most disturbingly, conspiracy theorists enraptured with QAnon. Other top-notch contributors include Anne Applebaum, George Packer, Ta-Nehisi Coates, Ibram X. Kendi, and Yuval Noah Harari.
An illuminating collection of perceptive, well-argued, and compelling essays.Pub Date: Sept. 15, 2020
ISBN: 978-1-982157-03-6
Page Count: 576
Publisher: Simon & Schuster
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
PERSPECTIVES
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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