Technology writing with flair looking to a future that’s fast upon us, with China playing a leading role.
Engaging travels through a Chinese countryside in which high technology meets the old ways.
In this entry in the publisher’s new FSGO x Logic series, Wang, the creative director at Logic magazine, blends studies of agriculture, anthropology, tech, and digital art. The author opens with a modest protest that while it is easy to both romanticize and overlook the countryside, and especially Chinese farm villages, “many of them are sites of economies and agricultural practices that are foundational to our world.” China is now subject to the same market forces and consumer preferences as Western nations, so that everyone wants nice things such as high-quality organic food. That opens many doors to rural enterprises. As one entrepreneur observes, whereas big corporations such as Nabisco dominated the food world in the past, “hundreds of smaller, fragmented companies will dominate the future, catering to a continuum of different tastes and experiences.” One of the author’s recurrent themes is the use of technology to improve agricultural production, as with the farm of the title, which caters to “upper-class urbanites—people willing to pay a premium on food.” Along the way, Wang takes on science historian Joseph Needham’s famous observation that China ceased to innovate well before Western traders arrived. The author distinguishes innovation from adaptation to show that there is not only plenty of “disruptive innovation” occurring in China, but also an emerging “shanzhai economy instead of an innovation economy.” In this case, shanzhai suggests the process of retooling outside products—an iPhone, say—to make affordable things for a less affluent local market and, in the bargain, “decolonize technology.” Wang’s whirlwind discussion, smart and well argued, turns to many other topics as well, from racism in high tech to microlending, trade wars, risk tolerance, and a rapidly changing rural China, with delicious recipes as a lagniappe.
Technology writing with flair looking to a future that’s fast upon us, with China playing a leading role.Pub Date: Oct. 13, 2020
ISBN: 978-0-374-53866-8
Page Count: 256
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 15, 2020
Kirkus Reviews Issue: Aug. 15, 2020
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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