by Xinran Xue & translated by Julia Lovell & Esther Tyldesley ‧ RELEASE DATE: July 19, 2005
A picaresque fairy tale with elements of National Geographic, but also lovely, spare and mystical.
A romantic quest, begun in Mao’s China, turns into an epic of endurance—and a spiritual parable.
In spite of its subtitle, Xinran’s second (after The Good Women of China, 2002) is presented as a memoir, the story of Shu Wen as narrated to the author when the two women met in 1994 in Suzhou. An open letter to Shu Wen ends the book, asking that she resume contact. The short text itself is Wen’s tragic but uplifting fable of devotion and spiritual enlightenment. A child of Mao’s revolution, Wen was educated in medicine and, as a student, met another young doctor, Kejun, whom she fell in love with and married. But their happiness was cut short when Kejun was sent to Tibet with the People’s Liberation Army. After fewer than a hundred days of marriage, he was reported killed, and, unable to accept Kejun’s death, Wen decides to go after him. Joining an army unit, she makes the arduous journey to Tibet, where the soldiers suffer from altitude sickness and are picked off by Tibetan guerillas. A young Tibetan noblewoman named Zhuoma joins Wen’s party, and soon the two women are split off from the soldiers but rescued by a family of nomads. So begins a new life—self-sufficient, purifying, hard and isolated. As the story takes on a more spacious tone, the simple, pared prose lends a kind of balm: Wen learns the nomads’ ways, and time and identity fall away. She finds her soul during this 30-year sojourn and is finally released after discovering Kejun’s fate. He rescued a young Buddhist lama from a sky burial (where corpses are eaten by vultures) but shot a sacred bird and offered himself as a sacrifice to make amends. This knowledge comes to Wen in one of a series of unlikely, fateful encounters that seem to transform the vast Tibetan landscape into a small community packed with symbolic meetings.
A picaresque fairy tale with elements of National Geographic, but also lovely, spare and mystical.Pub Date: July 19, 2005
ISBN: 0-385-51548-0
Page Count: 224
Publisher: Nan A. Talese
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 2005
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by Xinran Xue & translated by Ether Tyldesley
by Sally Rooney ‧ RELEASE DATE: April 16, 2019
Absolutely enthralling. Read it.
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A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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BOOK TO SCREEN
by Toni Morrison ‧ RELEASE DATE: Oct. 29, 1970
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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by Toni Morrison edited by David Carrasco Stephanie Paulsell Mara Willard
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