This bloodcurdling anthology soars.
Fifteen tales full of the macabre and creatures that roam at twilight offer plenty of chills and thrills in this anthology inspired by Latin American folklore and legends.
“Be warned, this story is both a lesson and a curse. Most stories are.” So begins Chantel Acevedo’s strong opener, “The Nightingale and the Lark,” a dreamy tale of star-crossed lovers from families who are at odds over how best to handle monsters in Cuba. Love and loss intertwine across several stories, often superbly dissected through the lenses of gender, sexuality, and, crucially, gender-based violence. In Gabriela Martins’ stellar “Bloodstained Hands Like Yours,” 18-year-old Olivia survives on the streets of Brazil, where the rotten Corpo-seco targets and kills other unhoused people. To save the girl she loves, Olivia must brave her fears and traumas. In Racquel Marie’s “La Patasola,” a queer girl’s coming out turns deadly when her boyfriend’s aggression leads to the appearance of La Patasola, a blood-soaked spirit from Colombia. Colorism and racism thread through numerous tales. The horrors of modern U.S.–led capitalism and the consequences of environmental destruction—see Julia Alvarez’s poignant “Leave No Tracks,” featuring a more-than-human family of ciguapas in the Dominican Republic—round out a few more emergent themes. Dramatic black-and-white art enhances the suspense. The combination of recognizable names from young adult literature and superlative stories on a range of themes makes this collection a winner.
This bloodcurdling anthology soars. (Horror anthology. 14-18)Pub Date: Sept. 6, 2022
ISBN: 978-1-64375-183-2
Page Count: 448
Publisher: Algonquin
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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